134Suzan Freconelements2005 Watercolor painting on agate-burnished old Indian ledger paper. 13 1/4 x 9 5/8 in. (33.7 x 24.4 cm) Signed and titled in pencil on the reverse, framed. Full CataloguingEstimate $2,000 - 4,000 Place Advance BidContact Specialist Editions@phillips.com
“I always craved geometric solutions. They underlie so many things; architecture and old paintings that are informed by geometry, like Cimabue, Romanesque cathedrals, churches. You have the structure of the building and then you have the curves of the architecture and then within that you have the painting and within that you have the art.” – Suzan Frecon In Conversation with Brooklyn Rail, John Yao, 2005 Suzan Frecon Courtesy David Zwirner | David Zwirner Gallery Condition ReportSign uporLog inProvenanceThe Menil Collection, Houston, Texas, form, color, illumination: Suzan Frecon painting March 7-May 1, 2008 Kunstmuseum Bern, Switzerland, illumination: Suzan Frecon painting June 11-September 28, 2008 Lawrence Markley, Inc., San Antonio
134Suzan Freconelements2005 Watercolor painting on agate-burnished old Indian ledger paper. 13 1/4 x 9 5/8 in. (33.7 x 24.4 cm) Signed and titled in pencil on the reverse, framed. Full CataloguingEstimate $2,000 - 4,000 Place Advance BidContact Specialist Editions@phillips.com
“I always craved geometric solutions. They underlie so many things; architecture and old paintings that are informed by geometry, like Cimabue, Romanesque cathedrals, churches. You have the structure of the building and then you have the curves of the architecture and then within that you have the painting and within that you have the art.” – Suzan Frecon In Conversation with Brooklyn Rail, John Yao, 2005 Suzan Frecon Courtesy David Zwirner | David Zwirner Gallery Condition ReportSign uporLog inProvenanceThe Menil Collection, Houston, Texas, form, color, illumination: Suzan Frecon painting March 7-May 1, 2008 Kunstmuseum Bern, Switzerland, illumination: Suzan Frecon painting June 11-September 28, 2008 Lawrence Markley, Inc., San Antonio
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