A French patinated and parcel gilt bronze and marble mounted clock garniture in Egyptian revival taste by G. Servant, circa 1867, the eight-day bell striking movement with Brocot pendulum regulation and with Japy Frères roundel beneath further lozenge stamped G S to backplate, gilt Roman numeral dial inscribed medaille dor 1867 over G. Servant a Paris; the tapered rectangular section marmo nero belgio and Siena marble body mounted with a parcel-gilt bronze bust of a female pharaonic figure in feathered headdress by Pierre-Eugene-Emile Hebert and with two further pharaonic figures to the front, incised with gilt bird motif and with four cast paw feet on a triform base; with a garniture of two parcel gilt and marble mounted bronze busts of Assyrian Royalty, both crowned, on tapered, fluted and foliate swagged Siena marble columnar pedestals, the square marmo nero belgio bases each on four paw feet, 60 cm high
A French patinated and parcel gilt bronze and marble mounted clock garniture in Egyptian revival taste by G. Servant, circa 1867, the eight-day bell striking movement with Brocot pendulum regulation and with Japy Frères roundel beneath further lozenge stamped G S to backplate, gilt Roman numeral dial inscribed medaille dor 1867 over G. Servant a Paris; the tapered rectangular section marmo nero belgio and Siena marble body mounted with a parcel-gilt bronze bust of a female pharaonic figure in feathered headdress by Pierre-Eugene-Emile Hebert and with two further pharaonic figures to the front, incised with gilt bird motif and with four cast paw feet on a triform base; with a garniture of two parcel gilt and marble mounted bronze busts of Assyrian Royalty, both crowned, on tapered, fluted and foliate swagged Siena marble columnar pedestals, the square marmo nero belgio bases each on four paw feet, 60 cm high
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
