Beschreibung:

Including: The Heritage of Hiroshige, by Dora Amsden and J.S. Happer, Paul Elder and Company, San Francisco, 1917. A signed copy of Chats on Japanese Prints, by A. Davidson Ficke, Frederick A. Stokes Company, New York, 1917. Images from the Floating World: The Japanese Print, by Richard Lane Chartwell Books, Inc., 1978, New Jersey. Yokohama: Prints from Nineteenth Century Japan by Ann Yonemura, Arthur M. Sackler Gallery, Washington, D.C., 1990. The Art of the Print: Masterpieces, History, Techniques, by Fritz Eichenberg Harry N. Abrams, Inc., Publishers, New York, 1976. Kuniyoshi: The Warrior-Prints, by B.W. Robinson, Cornell University Press, Ithaca, New York, 1982. Yoshitoshi's One Hundred Aspects of the Moon, edited by John Stevenson, San Francisco Graphic Society, 1992. Ukiyo-e: 250 Years of Japanese Art, by Roni Neuer and Susugu Yoshida, Windward, New York, 1979. Japanese Prints from 1700 to 1900, edited by Richard Illing, Phaidon, Oxford, 1978. Sharaku, by Elise Grilli, Crown Publishers, New York, 1953. The Faces of Ukiyo-e 2nd vol., Kampo Yoshikawa, ed., Kyoto Cultural Research Association, 1929. Japanese Colour Prints, by Edward F. Strange, Victoria and Albert Museum, Eyre and Spottiswoode, Ltd., London, 1910. The Bizarre Imagery of Yoshitoshi: The Herbert R. Cole Collection, by Roger Keyes and George Kuwayama, Los Angeles County Museum of Art, 1982. Japanese Screen Paintings From the Collection of Robert Crowder, exhibition catalogue, Pacificulture–Asia Museum, Pasadena, 1976. Japanese Wood Engravings: Their History, Technique, and Characteristics, by William Anderson Seeley and Co. Limited, London, 1895. Kiyo-Chika: Artist of Meiji Japan, by Henry D. Smith II, Santa Barbara Museum of Art, 1988. A Guide to Japanese Prints and Their Subject Matter, by Basil Stewart, Dover Publications, Inc., New York, 1979. The World of the Meiji Print: Impressions of a New Civilization, by Julia Meech-Pekarik, Weatherhill, Tokyo, 1986. Japanese Masters of the Color Print, by J. Hillier, Phaidon, London, 1954. Hokusai, by J. Hillier, Phaidon Press, London, 1955. Hokusai: Paintings, Drawings, and Woodcuts, by J. Hillier, Phaidon, 1978. The Theatrical World of Osaka Prints: A Collection of Eighteenth and Nineteenth Century Japanese Woodblock Prints in the Philadelphia Museum of Art, by Roger S. Keyes and Keiko Mizushima, Philadelphia Museum of Art, 1973. A History of Japanese Colour-Prints, by W. Von Seidlitz, William Heinemann, London, 1910. Hiroshige: A Shoal of Fishes, The Metropolitan Museum of Art, A Studio Book, Viking Press, New York, 1980. The Colour-prints of Hiroshige, by Edward F. Strange, Cassell and Company, Ltd., London, Limited Edition: no. 125 of 250, 1925. Masterworks of Ukiyo-e: Kiyonaga, by Muneshige Narazaki, Kodansha International, Ltd., Tokyo, 1970. Masterworks of Ukiyo-e: Sharaku, by Juzo Suzuki, Kodansha International, Ltd., Tokyo, 1968. Masterworks of Ukiyo-e: Hiroshige, by Muneshige Narazaki, Kodansha International, Ltd., Tokyo, 1970. Yoshitoshi's Women: The woodblock print series "Fuzoku Sanjuniso", by John Stevenson, Avery Press, 1986. Exhibition of Modern Japanese Beauties: Meiji, Taisho, Showa Prints, in Japanese, Riccar Art Museum, Dobi Insatsu, 1982. The Hokusai Sketchbooks: Selections from the Manga, by James A. Michener, Charles E. Tuttle Co., Tokyo, 1959. Japanese Colour Prints, Laurence Binyon and J.J. O'Brien Sexton, Boston Book and Art Shop, Boston, 1960. Japanese Prints From the Henry L. Phillips Collection, by Alan Priest, The Metropolitan Museum of Art, New York, 1947. The Ghost of Sharaku [short play], By Arthur Davison Ficke, Limited edition, 250 copies, San Francisco, Grabhorn Press, 1951. The Japanese Print: An Interpretation, by Frank Lloyd Wright Horizon Press, New York, 1967. Who's Who in Modern Japanese Prints, by Frances Blakemore, Weatherhill, Tokyo, 1980. Joichi Hoshi: 1956-1979, retrospective exhibition catalogue, 1981. Modern Japanese Prints: an Art Reborn, by Oliver Statler, Char