A MEISSEN TURQUOISE-GROUND OCTAGONAL TEABOWL AND A BLUE LAPIS-GROUND SAUCER
CIRCA 1740 AND CIRCA 1755, BLUE CROSSED SWORDS MARKS, THE FIRST WITH GILDER'S Z., DREHER'S //, THE SECOND WITH PAINTER'S MARK 48. IN PUCE, PRESSNUMMER 63
A MEISSEN TURQUOISE-GROUND OCTAGONAL TEABOWL AND A BLUE LAPIS-GROUND SAUCER CIRCA 1740 AND CIRCA 1755, BLUE CROSSED SWORDS MARKS, THE FIRST WITH GILDER'S Z., DREHER'S //, THE SECOND WITH PAINTER'S MARK 48. IN PUCE, PRESSNUMMER 63 The first painted with travellers in a landscape and a harbour scene within two gilt panels, the interior with a harbour scene within concentric iron-red lines and a Gitterwerk border, the second painted with putti beside a bird cage in a landscape vignette, the reverse with a simulated blue lapis ground enriched with gilding (2)
A MEISSEN TURQUOISE-GROUND OCTAGONAL TEABOWL AND A BLUE LAPIS-GROUND SAUCER
CIRCA 1740 AND CIRCA 1755, BLUE CROSSED SWORDS MARKS, THE FIRST WITH GILDER'S Z., DREHER'S //, THE SECOND WITH PAINTER'S MARK 48. IN PUCE, PRESSNUMMER 63
A MEISSEN TURQUOISE-GROUND OCTAGONAL TEABOWL AND A BLUE LAPIS-GROUND SAUCER CIRCA 1740 AND CIRCA 1755, BLUE CROSSED SWORDS MARKS, THE FIRST WITH GILDER'S Z., DREHER'S //, THE SECOND WITH PAINTER'S MARK 48. IN PUCE, PRESSNUMMER 63 The first painted with travellers in a landscape and a harbour scene within two gilt panels, the interior with a harbour scene within concentric iron-red lines and a Gitterwerk border, the second painted with putti beside a bird cage in a landscape vignette, the reverse with a simulated blue lapis ground enriched with gilding (2)
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