A PAIR OF GEORGE III GILTWOOD DEMI-LUNE PIER TABLES
CIRCA 1780, THE UPPER FRIEZE, SWAGS AND MASKS ADDED IN ITALY IN THE EARLY 19TH CENTURY
A PAIR OF GEORGE III GILTWOOD DEMI-LUNE PIER TABLES CIRCA 1780, THE UPPER FRIEZE, SWAGS AND MASKS ADDED IN ITALY IN THE EARLY 19TH CENTURY Each with mottled jasper top inset into a guilloche and rosette frieze centred by a bacchic mask and hung with garlands, on turned tapering stop-fluted and beaded legs joined by concave stretchers, one with printed paper label 'LUIGI GRASSI & SONS Paintings by Old Masters 94 Via Cavour FLORENCE', with batten-carrying holes beneath the swags, the legs later cut above the stretchers probably for movement 33¾ in. (86 cm.) high; 55¼ in. (140 cm.) wide; 26 in. (66 cm.) deep (2)
A PAIR OF GEORGE III GILTWOOD DEMI-LUNE PIER TABLES
CIRCA 1780, THE UPPER FRIEZE, SWAGS AND MASKS ADDED IN ITALY IN THE EARLY 19TH CENTURY
A PAIR OF GEORGE III GILTWOOD DEMI-LUNE PIER TABLES CIRCA 1780, THE UPPER FRIEZE, SWAGS AND MASKS ADDED IN ITALY IN THE EARLY 19TH CENTURY Each with mottled jasper top inset into a guilloche and rosette frieze centred by a bacchic mask and hung with garlands, on turned tapering stop-fluted and beaded legs joined by concave stretchers, one with printed paper label 'LUIGI GRASSI & SONS Paintings by Old Masters 94 Via Cavour FLORENCE', with batten-carrying holes beneath the swags, the legs later cut above the stretchers probably for movement 33¾ in. (86 cm.) high; 55¼ in. (140 cm.) wide; 26 in. (66 cm.) deep (2)
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