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Auction archive: Lot number 179

after Burne-Jones’s Perseus series, John Everett Millais’s The Knight Errant, Harry …

Auction 25.04.2013
25 Apr 2013
Estimate
£300 - £500
ca. US$459 - US$765
Price realised:
£350
ca. US$535
Auction archive: Lot number 179

after Burne-Jones’s Perseus series, John Everett Millais’s The Knight Errant, Harry …

Auction 25.04.2013
25 Apr 2013
Estimate
£300 - £500
ca. US$459 - US$765
Price realised:
£350
ca. US$535
Beschreibung:

after Burne-Jones's Perseus series, John Everett Millais's The Knight Errant, Harry Bates's Cupid and Psyche, and others, 8 platinotypes, 3 with studio stamps on verso, 2 with extensive early biblical verse inscriptions verso and at edges of recto, c.1880, v.s., 160 x 165mm. (6 1/4 x 6 1/2 in) to 280 x 200mm. (11 x 8 in), unframed (8) *** Frederick Hollyer was from a family of engravers, but developed an interest in photography in the 1860s. His preferred process was the 'platinotype', or platinum print, for the rich tonal range it could convey. He collaborated closely with several artists associated with the Pre-Raphaelite Brotherhood, most notably Frederick Lord Leighton, Edward Burne-Jones and George Frederic Watts, and was considered to have been as important in promoting their work visually as Ruskin had been through his writing, even prompting the artists themselves to re-evaluate a work, and thereby recording early states that would otherwise be unknown to us. Condition report disclaimer

Auction archive: Lot number 179
Auction:
Datum:
25 Apr 2013
Auction house:
Dreweatts & Bloomsbury Auctions
16-17 Pall Mall
St James’s
London, SW1Y 5LU
United Kingdom
info@dreweatts.com
+44 (0)20 78398880
Beschreibung:

after Burne-Jones's Perseus series, John Everett Millais's The Knight Errant, Harry Bates's Cupid and Psyche, and others, 8 platinotypes, 3 with studio stamps on verso, 2 with extensive early biblical verse inscriptions verso and at edges of recto, c.1880, v.s., 160 x 165mm. (6 1/4 x 6 1/2 in) to 280 x 200mm. (11 x 8 in), unframed (8) *** Frederick Hollyer was from a family of engravers, but developed an interest in photography in the 1860s. His preferred process was the 'platinotype', or platinum print, for the rich tonal range it could convey. He collaborated closely with several artists associated with the Pre-Raphaelite Brotherhood, most notably Frederick Lord Leighton, Edward Burne-Jones and George Frederic Watts, and was considered to have been as important in promoting their work visually as Ruskin had been through his writing, even prompting the artists themselves to re-evaluate a work, and thereby recording early states that would otherwise be unknown to us. Condition report disclaimer

Auction archive: Lot number 179
Auction:
Datum:
25 Apr 2013
Auction house:
Dreweatts & Bloomsbury Auctions
16-17 Pall Mall
St James’s
London, SW1Y 5LU
United Kingdom
info@dreweatts.com
+44 (0)20 78398880
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