after Louis Richer (fl. 1640-1659), etching and engraving on thin laid paper, 325 x 410 mm., small repaired hole lower centre, visible on reverse, light spotting and browning, [cf. Le Blanc 1], circa 1640; with an engraving by Jean Ganière (c.1646-1705), 'La Plisante Alience des Chats avec les Rasts', 165 x 380 mm., with paper support to top and lower edges, small repaired teat lower centre, and sheet loss lower left, trimmed upper edge, light spotting and browning, [circa 1640-1660]; and with the title page from the second edition of Sir Anthony Weldon's 'A Cat May Look Upon a King', woodcut, 185 x 215 mm., surface dirt, minor stains, browning and some spotting, small wholes from original binding visible, 1714, all unframed, (3).
after Louis Richer (fl. 1640-1659), etching and engraving on thin laid paper, 325 x 410 mm., small repaired hole lower centre, visible on reverse, light spotting and browning, [cf. Le Blanc 1], circa 1640; with an engraving by Jean Ganière (c.1646-1705), 'La Plisante Alience des Chats avec les Rasts', 165 x 380 mm., with paper support to top and lower edges, small repaired teat lower centre, and sheet loss lower left, trimmed upper edge, light spotting and browning, [circa 1640-1660]; and with the title page from the second edition of Sir Anthony Weldon's 'A Cat May Look Upon a King', woodcut, 185 x 215 mm., surface dirt, minor stains, browning and some spotting, small wholes from original binding visible, 1714, all unframed, (3).
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