Andy Goldsworthy Line to follow colours in pebbles, St. Abbs, The Borders May 31, 1985 Stones (in 78 parts). Length: 240 in. (609.6 cm.) This work is unique.
Provenance Fabian Carlsson Gallery, London; Private collection, London Literature A. Goldsworthy, Andy Goldsworthy A Collaboration with Nature, New York, 1990, n.p (illustrated) Catalogue Essay Movement, change, light, growth and decay are the lifeblood of nature, the energies that I try to tap through my work. I need the shock of touch, the resistance of place, materials and weather, the earth as my source. I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue. ANDY GOLDSWORTHY (A. Goldsworthy, Andy Goldsworthy A Collaboration with Nature, New York, 1990) Read More
Andy Goldsworthy Line to follow colours in pebbles, St. Abbs, The Borders May 31, 1985 Stones (in 78 parts). Length: 240 in. (609.6 cm.) This work is unique.
Provenance Fabian Carlsson Gallery, London; Private collection, London Literature A. Goldsworthy, Andy Goldsworthy A Collaboration with Nature, New York, 1990, n.p (illustrated) Catalogue Essay Movement, change, light, growth and decay are the lifeblood of nature, the energies that I try to tap through my work. I need the shock of touch, the resistance of place, materials and weather, the earth as my source. I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue. ANDY GOLDSWORTHY (A. Goldsworthy, Andy Goldsworthy A Collaboration with Nature, New York, 1990) Read More
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
