Details
ASTOLFO PETRAZZI (SIENNE 1579-1665)
La Descente du Christ aux limbes
pierre noire, plume et encre brune, lavis brun
16,7 x 25,2 cm (6 5/8 x 10 in.)
Provenance
Vente Christie’s, Londres, 8 décembre 1987, lot 86 (comme École siennoise vers 1600).
Vente Christie’s, Londres, 18 avril 1989, lot 162 (comme École siennoise vers 1600).
Collectionneur anonyme (marque ‘FB’ avec feuille de ginkgo biloba, pas dans Lugt) (sur le montage).
Literature
One hundred drawings and watercolors dating from the 16th Century to the 21st Century, cat. exp., Guy Peppiatt Fine Art, Stephen Ongpin Fine Art, Londres, Winter catalogue , 2019-2020, p. 9, sous le n° 7.
Exhibited
Cambridge, Fitzwilliam Museum, Lisbonne, Centro Cultural de Belém, et Porto, Museu Nacional Soares dos Reis, European Master Drawings from Portuguese Collections, 2000, n° 42 (catalogue par N. Turner).
Post lot text
ASTOLFO PETRAZZI, THE DESCENT OF CHRIST INTO LIMBO, BLACK CHALK, PEN AND BROWN INK, BROWN WASH
Petrazzi was a successful Sienese artist, contemporary of Francesco Vanni and Ventura Salimbeni The rediscovery of Petrazzi’s graphic production is due to Philip Pouncey, who in 1971 published a group of his drawings ( ‘Trois nouveaux dessins de Rutilio Manetti et une hypothèse sur Astolfo Petrazzi’, Revue de l’art, XIV, 1971, pp. 67-71). As is the case for most of Petrazzi’s drawings, the present composition cannot be related to a known painting.
Details
ASTOLFO PETRAZZI (SIENNE 1579-1665)
La Descente du Christ aux limbes
pierre noire, plume et encre brune, lavis brun
16,7 x 25,2 cm (6 5/8 x 10 in.)
Provenance
Vente Christie’s, Londres, 8 décembre 1987, lot 86 (comme École siennoise vers 1600).
Vente Christie’s, Londres, 18 avril 1989, lot 162 (comme École siennoise vers 1600).
Collectionneur anonyme (marque ‘FB’ avec feuille de ginkgo biloba, pas dans Lugt) (sur le montage).
Literature
One hundred drawings and watercolors dating from the 16th Century to the 21st Century, cat. exp., Guy Peppiatt Fine Art, Stephen Ongpin Fine Art, Londres, Winter catalogue , 2019-2020, p. 9, sous le n° 7.
Exhibited
Cambridge, Fitzwilliam Museum, Lisbonne, Centro Cultural de Belém, et Porto, Museu Nacional Soares dos Reis, European Master Drawings from Portuguese Collections, 2000, n° 42 (catalogue par N. Turner).
Post lot text
ASTOLFO PETRAZZI, THE DESCENT OF CHRIST INTO LIMBO, BLACK CHALK, PEN AND BROWN INK, BROWN WASH
Petrazzi was a successful Sienese artist, contemporary of Francesco Vanni and Ventura Salimbeni The rediscovery of Petrazzi’s graphic production is due to Philip Pouncey, who in 1971 published a group of his drawings ( ‘Trois nouveaux dessins de Rutilio Manetti et une hypothèse sur Astolfo Petrazzi’, Revue de l’art, XIV, 1971, pp. 67-71). As is the case for most of Petrazzi’s drawings, the present composition cannot be related to a known painting.
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