BOOK REFERENCE]. UPDIKE, DANIEL BERKELEY. Printing Types. Cambridge, 1922. 2 volumes -- MORISON, STANLEY. On Type Faces. London, 1923. LIMITED EDITION, number 362 of 750 copies -- POLLARD, ALFRED W. Fine Books. New York, 1912 -- THOMAS, HENRY. Periods of Printing. Spanish Sixteenth-Century Printing. New York, 1926 -- WARDE, FREDERIC. Bruce Rogers Designer of Books. Cambridge, 1926 -- UPDIKE. In the Day's Work. Cambridge, 1924 -- WINSHIP, GEORGE PARKER Gutenberg to Plantin. Cambridge, 1926 -- LANG, ANDREW. The Strife of Love in a Dream... the first Book of the Hypnerotomachia of Francesco Colonna. London, 1890 -- MORISON. The Art of the Printer. New York, 1926 -- MORISON. A Brief Survey of Printing. London, 1923 -- JOHNSON, A.F. Periods of Typography. The Italian Sixteenth Century. New York, 1926. -- JOHNSON. Periods of Typography. The First Century of Printing at Basel. New York, 1926. Together 13 volumes, various 8vo and 4to sizes, bound in matching citron yellow three quarter morocco, spines gilt, t.e.g. . [WITH:] BERNARD, AUGUSTE. Geofroy Tory Painter and Engraver... Boston and New York: The Riverside Press, 1909. Folio, original boards; quarter morocco slipcase. LIMITED EDITION, number 339 of 370 copies designed by Bruce Rogers -- RANSOM, WILL. Private Presses and their Books. New York, 1929. 8vo, original cloth, some soiling -- ORCUTT, WILLIAM DANA. In Quest of the Perfect Book. Boston, 1926. 8vo, original cloth, spine faded -- DODGSON, CAMPBELL. Old French Colour-Prints. London, 1924. Folio, original half vellum, t.e.g. -- DILKE, EMILIA FRANCIS. French Engravers and Draughtsmen of the XVIIIth Century. London, 1902. Folio, original cloth, slight darkening and dust soiling. LIMITED EDITION, number 97 of 150 copies -- HOLME, CHARLES, editor. Modern Book Production. London, 1928. Folio, original quarter vellum -- ORCUTT. Master Makers of the Book. New York, 1928. 8vo, original cloth. (20)
BOOK REFERENCE]. UPDIKE, DANIEL BERKELEY. Printing Types. Cambridge, 1922. 2 volumes -- MORISON, STANLEY. On Type Faces. London, 1923. LIMITED EDITION, number 362 of 750 copies -- POLLARD, ALFRED W. Fine Books. New York, 1912 -- THOMAS, HENRY. Periods of Printing. Spanish Sixteenth-Century Printing. New York, 1926 -- WARDE, FREDERIC. Bruce Rogers Designer of Books. Cambridge, 1926 -- UPDIKE. In the Day's Work. Cambridge, 1924 -- WINSHIP, GEORGE PARKER Gutenberg to Plantin. Cambridge, 1926 -- LANG, ANDREW. The Strife of Love in a Dream... the first Book of the Hypnerotomachia of Francesco Colonna. London, 1890 -- MORISON. The Art of the Printer. New York, 1926 -- MORISON. A Brief Survey of Printing. London, 1923 -- JOHNSON, A.F. Periods of Typography. The Italian Sixteenth Century. New York, 1926. -- JOHNSON. Periods of Typography. The First Century of Printing at Basel. New York, 1926. Together 13 volumes, various 8vo and 4to sizes, bound in matching citron yellow three quarter morocco, spines gilt, t.e.g. . [WITH:] BERNARD, AUGUSTE. Geofroy Tory Painter and Engraver... Boston and New York: The Riverside Press, 1909. Folio, original boards; quarter morocco slipcase. LIMITED EDITION, number 339 of 370 copies designed by Bruce Rogers -- RANSOM, WILL. Private Presses and their Books. New York, 1929. 8vo, original cloth, some soiling -- ORCUTT, WILLIAM DANA. In Quest of the Perfect Book. Boston, 1926. 8vo, original cloth, spine faded -- DODGSON, CAMPBELL. Old French Colour-Prints. London, 1924. Folio, original half vellum, t.e.g. -- DILKE, EMILIA FRANCIS. French Engravers and Draughtsmen of the XVIIIth Century. London, 1902. Folio, original cloth, slight darkening and dust soiling. LIMITED EDITION, number 97 of 150 copies -- HOLME, CHARLES, editor. Modern Book Production. London, 1928. Folio, original quarter vellum -- ORCUTT. Master Makers of the Book. New York, 1928. 8vo, original cloth. (20)
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