CHABON, Michael (b. 1963). The Mysteries of Pittsburgh . New York: William Morrow and Co., 1988. 8°. Original cloth-backed boards; dust jacket.
CHABON, Michael (b. 1963). The Mysteries of Pittsburgh . New York: William Morrow and Co., 1988. 8°. Original cloth-backed boards; dust jacket. FIRST EDITION , signed on the title-page. Chabon is hard on his younger self as he re-reads and annotates—often employing a yellow-marker—this spirited novel of a young man embarking on adulthood. “This book was written in a prolonged state of exaltation and hubris, by a young man, and annotated by a considerably older one, in acute embarrassment and mortification.” His plan was originally to highlight “those passages which had clearly been written in imitation of other writers, chief among them Roth, Proust & Fitzgerald” and then to likewise highlight “the most egregious instances of overblown, youthfully purple or generally pretentious prose. But a reader will require no assistance in locating such passages and in any case both projects would have left almost no passage in the book devoid of a fluorescent Day-Glo streak.” Instead, many of the numerous annotations draw connections to events in Chabon’s personal life. Phlox’s comment (in chapter 10) that “vampires are so beautiful,” prompts this note: “What a freak! Verbatim. She was a total babe, though.” The note “Verbatim” appears in the margins frequently. “Literal description of actual photo of a girl I knew,” he writes on p.87. “This passage written, along with one or two others, while high on marijuana.” On pp. 42-43 he recalls his tenure working for Atlantic Books, a Pittsbugh chain, “in considerable misery before finally escaping from the dungeon to the bookstore paradise of Jay’s Book Stall, on Fifth Avenue—since shuttered forever.
CHABON, Michael (b. 1963). The Mysteries of Pittsburgh . New York: William Morrow and Co., 1988. 8°. Original cloth-backed boards; dust jacket.
CHABON, Michael (b. 1963). The Mysteries of Pittsburgh . New York: William Morrow and Co., 1988. 8°. Original cloth-backed boards; dust jacket. FIRST EDITION , signed on the title-page. Chabon is hard on his younger self as he re-reads and annotates—often employing a yellow-marker—this spirited novel of a young man embarking on adulthood. “This book was written in a prolonged state of exaltation and hubris, by a young man, and annotated by a considerably older one, in acute embarrassment and mortification.” His plan was originally to highlight “those passages which had clearly been written in imitation of other writers, chief among them Roth, Proust & Fitzgerald” and then to likewise highlight “the most egregious instances of overblown, youthfully purple or generally pretentious prose. But a reader will require no assistance in locating such passages and in any case both projects would have left almost no passage in the book devoid of a fluorescent Day-Glo streak.” Instead, many of the numerous annotations draw connections to events in Chabon’s personal life. Phlox’s comment (in chapter 10) that “vampires are so beautiful,” prompts this note: “What a freak! Verbatim. She was a total babe, though.” The note “Verbatim” appears in the margins frequently. “Literal description of actual photo of a girl I knew,” he writes on p.87. “This passage written, along with one or two others, while high on marijuana.” On pp. 42-43 he recalls his tenure working for Atlantic Books, a Pittsbugh chain, “in considerable misery before finally escaping from the dungeon to the bookstore paradise of Jay’s Book Stall, on Fifth Avenue—since shuttered forever.
Try LotSearch and its premium features for 7 days - without any costs!
Be notified automatically about new items in upcoming auctions.
Create an alert
.jpg "Source: Christie's")
.jpg "Source: Christie's")
