Beschreibung:

Thomas Niggl (1939) Schwere Reiter (1993) Signed and dated 93 upper left Titled and dated 1993 on the reverse Oil on canvas, 100.4 x 100.1 cm Provenance: Private collection, the Netherlands * Condition report available upon request
Walasse Ting (1929-2010) Beauty with Horse Stamped with the seal of the artist lower right Acrylic and ink on rice paper, 26.9 x 37.8 cm Provenance: Acquired directly from family of the artist by the present owner Note: Never been framed. * Condition report available upon request
Thomas Niggl (1939) Schwere Reiter (1993) Signed and dated 93 upper left Titled and dated 1993 on the reverse Oil on canvas, 100.4 x 100.1 cm Provenance: Private collection, the Netherlands * Condition report available upon request
Hsiao Chin (1935) Untitled Signed lower right Acrylic on paper, 78.9 x 79.4 cm Provenance: - Pulitzer Art Gallery, Amsterdam - Private collection, the Netherlands * Condition report available upon request
Thomas Niggl (1939) Schwere Reiter (1993) Signed and dated 93 upper left Titled and dated 1993 on the reverse Oil on canvas, 100.4 x 100.1 cm Provenance: Private collection, the Netherlands * Condition report available upon request
Aurora Cañero (1940) De Luna (1999) Signed and numbered 14/25 on the apron Bronze on iron base, H 149.9 cm Provenance: - La Galeria Juan Ruiz Maracaibo, 2000 (incl. invoice) - Private collection, the Netherlands * Condition report available upon request
Thomas Niggl (1939) Schwere Reiter (1993) Signed and dated 93 upper left Titled and dated 1993 on the reverse Oil on canvas, 100.4 x 100.1 cm Provenance: Private collection, the Netherlands * Condition report available upon request
Aurora Cañero (1940) Escalera Hombre III (1996) Signed, dated '96 and numbered 21/25 on the back Bronze on iron base, H.171.1 cm Provenance: - La Galeria Juan Ruiz Maracaibo, 2001 (incl. invoice) - Private collection, the Netherlands Literature: D. Javier Rubio Nomblot, Aurora Cañero, A.G. Luis Perez, Madrid, 1998, p. 17 (ill.) Note: Including the abovementioned book. Aurora Cañero's sculptures highlight the existential mystery of life, while carrying an aura of dreaminess and curiosity. The use of pedestals is particularly significant for Cañero's aesthetic language: ladder, hoops, diving boards, boats resting on their oars, rectangular shapes on which the figures stand. * Condition report available upon request
Thomas Niggl (1939) Schwere Reiter (1993) Signed and dated 93 upper left Titled and dated 1993 on the reverse Oil on canvas, 100.4 x 100.1 cm Provenance: Private collection, the Netherlands * Condition report available upon request
Pablo Atchugarry (1954) Untitled (1998) Signed along lower edge Unique piece Portugal pink marble, H. 65.6 cm, on granite base, total H. 71.6 cm Provenance: - Galerie Needien, Neede, 2000 - Private collection, the Netherlands Note: To be included in the Atchugarry forthcoming Catalogo Generale Della Scultura Volume 4 being prepared. Pablo Atchugarry a renowned Uruguayan sculptor born in Montevideo in 1954, has gained international recognition for his remarkable marble works that evoke the grandeur of early civilizations' monoliths. Currently residing and working between Lecco, Italy, and Manantiales, Uruguay, Atchugarry's artistic journey has been marked by a deep exploration of various materials. In 1979, Atchugarry visited Carrara, Italy, where he was captivated by the elegance of marble. This encounter inspired him to devote his artistic endeavours to sculpting this exquisite medium. For each sculpture, Atchugarry personally selects an appropriate block and is actively involved in carving it, with minimal help from assistants. He works with white Carrara marble from Tuscany, gray stone from Bardiglio, black from Belgium, and pink from Portugal. Aside from working with stone, he utilizes bronze finished in various patinas, ceramic, and, more rarely, various types of wood. Atchugarry's sculptures defy a singular viewpoint, encouraging viewers