Colin Campbell Cooper American, 1856-1937 Woolworth Building, New York City Inscribed Sketch by Colin Campbell Cooper/Property of Charlotte Carpenter/from G. D. Carpenter and Gram E on the reverse Oil on board 18 x 14 inches Provenance: The artist To his second wife By descent to her niece, Santa Barbara, CA Mr. George D. Carpenter Charlotte Carpenter The estate of Charlotte Carpenter Private collection Mr. Zachary Taylor, Athens, GA; Beverly Hills, CA; London R.H. Love Galleries, Inc., Chicago Private collection Exhibited: New York, Spanierman Gallery, LLC, Over 100 Years of New York City in Art, Jan. 10 - Feb. 28, 2004 Cooper's oeuvre includes many depictions of architectural monuments in Europe and the Far East, but his fame derives primarily from his views of urban skyscrapers in Philadelphia, Chicago, and especially New York, where he resided from 1904 to 1921. Like other artists who emphasized the verticality of the "new New York," Cooper was drawn to the Woolworth Building, designed by Cass Gilbert which was the tallest building in the world at 792 feet, when it was completed in 1913. Cornoyer chose to depict it as seen through the central arch of the Municipal Building, designed by McKim, Mead, and White and built 1907-14 on Centre Street. The shadowed arch of the Neoclassical building housing governmental offices frames the sunlit skyscraper, accentuating its association with the Gothic Cathedral and expressing a sense of America's ascendancy in the early twentieth century. Using Impressionist handling, Cornoyer conveyed a sense of immediacy, the skyscraper coming into view as we move forward, the tiny figures and trees in the distance imparting a sense of the building's dramatic scale. C The Spanierman Gallery, LLC
Frame rubbing. There is a 1 inch diagonal scratch in the lower left quadrant just off the left edge. There is damage to the paint surface and board at the upper right corner and the lower right corner. There is a vertical loss to the paint surface and board in the lower right edge, approximately 3/8 of an inch. There are areas in the sky that fluoresce under UV light, we believe that this is of the artist's hand. There is no further restoration visible under UV light.
Colin Campbell Cooper American, 1856-1937 Woolworth Building, New York City Inscribed Sketch by Colin Campbell Cooper/Property of Charlotte Carpenter/from G. D. Carpenter and Gram E on the reverse Oil on board 18 x 14 inches Provenance: The artist To his second wife By descent to her niece, Santa Barbara, CA Mr. George D. Carpenter Charlotte Carpenter The estate of Charlotte Carpenter Private collection Mr. Zachary Taylor, Athens, GA; Beverly Hills, CA; London R.H. Love Galleries, Inc., Chicago Private collection Exhibited: New York, Spanierman Gallery, LLC, Over 100 Years of New York City in Art, Jan. 10 - Feb. 28, 2004 Cooper's oeuvre includes many depictions of architectural monuments in Europe and the Far East, but his fame derives primarily from his views of urban skyscrapers in Philadelphia, Chicago, and especially New York, where he resided from 1904 to 1921. Like other artists who emphasized the verticality of the "new New York," Cooper was drawn to the Woolworth Building, designed by Cass Gilbert which was the tallest building in the world at 792 feet, when it was completed in 1913. Cornoyer chose to depict it as seen through the central arch of the Municipal Building, designed by McKim, Mead, and White and built 1907-14 on Centre Street. The shadowed arch of the Neoclassical building housing governmental offices frames the sunlit skyscraper, accentuating its association with the Gothic Cathedral and expressing a sense of America's ascendancy in the early twentieth century. Using Impressionist handling, Cornoyer conveyed a sense of immediacy, the skyscraper coming into view as we move forward, the tiny figures and trees in the distance imparting a sense of the building's dramatic scale. C The Spanierman Gallery, LLC
Frame rubbing. There is a 1 inch diagonal scratch in the lower left quadrant just off the left edge. There is damage to the paint surface and board at the upper right corner and the lower right corner. There is a vertical loss to the paint surface and board in the lower right edge, approximately 3/8 of an inch. There are areas in the sky that fluoresce under UV light, we believe that this is of the artist's hand. There is no further restoration visible under UV light.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
