FRENCH, LIMOGES, MID-16TH CENTURY, ATTRIBUTED TO PIERRE REYMOND (ACTIVE BETWEEN 1537 AND 1578) THE KISS OF JUDAS /THE ARREST OF JESUS polychrome painted enamel on copper with golden highlights; in a gilt metal frame 20,5 x 16,8 cm ; 8 x 6½ in. __________________________________________________________________ FRANCE, LIMOGES, MILIEU DU XVIE SIÈCLE, ATTRIBUÉ À PIERRE REYMOND (ACTIF ENTRE 1537 ET 1578) LE BAISER DE JUDAS/L’ARRESTATION DU CHRIST émail polychrome peint sur cuivre, à rehauts d’or ; dans un cadre métallique doré 20,5 x 16,8 cm ; 8 x 6½ in.Condition reportThe enamel is in very good condition overall. There are a few very minor scratches to the surface at some places, and a few very minor hairline fissures to the surface in the lower right corner; very minor wear to the gilding consistent with age and handling. There is one ca 2 cm triangular loss to the enamel in the top left corner, as can be seen in the photograph, and one very small loss besides the reclining figure to the lower left. the reverse with a fine copper colored contre email shows a few knocks to the translucent varnish, consistent with age and handling. The enamel is of fantastic quality with a rich palette of colors and very precise in all details of the drawing, in very good condition overall , which can be highly recommended. "
FRENCH, LIMOGES, MID-16TH CENTURY, ATTRIBUTED TO PIERRE REYMOND (ACTIVE BETWEEN 1537 AND 1578) THE KISS OF JUDAS /THE ARREST OF JESUS polychrome painted enamel on copper with golden highlights; in a gilt metal frame 20,5 x 16,8 cm ; 8 x 6½ in. __________________________________________________________________ FRANCE, LIMOGES, MILIEU DU XVIE SIÈCLE, ATTRIBUÉ À PIERRE REYMOND (ACTIF ENTRE 1537 ET 1578) LE BAISER DE JUDAS/L’ARRESTATION DU CHRIST émail polychrome peint sur cuivre, à rehauts d’or ; dans un cadre métallique doré 20,5 x 16,8 cm ; 8 x 6½ in.Condition reportThe enamel is in very good condition overall. There are a few very minor scratches to the surface at some places, and a few very minor hairline fissures to the surface in the lower right corner; very minor wear to the gilding consistent with age and handling. There is one ca 2 cm triangular loss to the enamel in the top left corner, as can be seen in the photograph, and one very small loss besides the reclining figure to the lower left. the reverse with a fine copper colored contre email shows a few knocks to the translucent varnish, consistent with age and handling. The enamel is of fantastic quality with a rich palette of colors and very precise in all details of the drawing, in very good condition overall , which can be highly recommended. "
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
