L'art décoratif théatral moderne
Paris: Édition "La Cible", 1919. Folio (471 x 310 mm). Title with vignette in red and black. 16 plates (6 by or after Goncharova [2 mounted and colored, 1 two-color lithograph, 1 three-color lithograph, 2 hand-colored using the pochoir process]; 10 by or after Larionov [1 uncolored, 1 mounted and colored, 2 printed in two colors, 6 hand-colored pochoirs with two of these printed on brown paper]). Expertly rebound to style in paper wrappers, the majority of the original upper wrapper laminated onto the upper cover. Condition: two final plates shaved with the loss of the majority of each signature, discoloration to leaf with signatures and numbering; covers discolored. LIMITED EDITION TO 100 COPIES signed by Goncharova and Larionov with two extra plates, number 60 of 100 copies of an edition of 500 copies numbered in Roman numerals. "Larionov and Goncharova celebrated their arrival in Paris with a large exhibition of their theatrical work in May 1919 at the Galerie Barbazanges…Th[is] impressive folio was published concurrently with the exhibition" (Parton, p.178).
L'art décoratif théatral moderne
Paris: Édition "La Cible", 1919. Folio (471 x 310 mm). Title with vignette in red and black. 16 plates (6 by or after Goncharova [2 mounted and colored, 1 two-color lithograph, 1 three-color lithograph, 2 hand-colored using the pochoir process]; 10 by or after Larionov [1 uncolored, 1 mounted and colored, 2 printed in two colors, 6 hand-colored pochoirs with two of these printed on brown paper]). Expertly rebound to style in paper wrappers, the majority of the original upper wrapper laminated onto the upper cover. Condition: two final plates shaved with the loss of the majority of each signature, discoloration to leaf with signatures and numbering; covers discolored. LIMITED EDITION TO 100 COPIES signed by Goncharova and Larionov with two extra plates, number 60 of 100 copies of an edition of 500 copies numbered in Roman numerals. "Larionov and Goncharova celebrated their arrival in Paris with a large exhibition of their theatrical work in May 1919 at the Galerie Barbazanges…Th[is] impressive folio was published concurrently with the exhibition" (Parton, p.178).
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