HEBEL, Johann Peter (1760-1826). Autograph letter signed ('Hebel') to an unidentified recipient, n.p., 10 November 1823, one page, 4to , docketed by recipient on verso.
HEBEL, Johann Peter (1760-1826). Autograph letter signed ('Hebel') to an unidentified recipient, n.p., 10 November 1823, one page, 4to , docketed by recipient on verso. Discussing a set of proofs [presumably of his Biblische Geschichten. Für die Jugend bearbeitet , 1824] of which he has accidentally retained the 'missing Number 50', thinking he had already sent it off with the rest of the manuscript: he hastens to send off what he has to hand -- 'the last page follows with the next post'; he corrects a word on p.299, and approves the new form of the title -- 'Der nicht durchstrichene Titel scheint mir nun ganz recht'. Hebel had been asked to draw up the specifications for a biblical text for young Lutheran schoolchildren (between 10 and 12), and had specified that the work should employ a clear and simple syntax and an exciting narrative style. Eventually, he himself was commissioned to undertake the work, which was to remain on the syllabus until 1855.
HEBEL, Johann Peter (1760-1826). Autograph letter signed ('Hebel') to an unidentified recipient, n.p., 10 November 1823, one page, 4to , docketed by recipient on verso.
HEBEL, Johann Peter (1760-1826). Autograph letter signed ('Hebel') to an unidentified recipient, n.p., 10 November 1823, one page, 4to , docketed by recipient on verso. Discussing a set of proofs [presumably of his Biblische Geschichten. Für die Jugend bearbeitet , 1824] of which he has accidentally retained the 'missing Number 50', thinking he had already sent it off with the rest of the manuscript: he hastens to send off what he has to hand -- 'the last page follows with the next post'; he corrects a word on p.299, and approves the new form of the title -- 'Der nicht durchstrichene Titel scheint mir nun ganz recht'. Hebel had been asked to draw up the specifications for a biblical text for young Lutheran schoolchildren (between 10 and 12), and had specified that the work should employ a clear and simple syntax and an exciting narrative style. Eventually, he himself was commissioned to undertake the work, which was to remain on the syllabus until 1855.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
