Hiroshi Sugimoto Follow Mountain Lion (#109) blindstamped with the number '10/25 109' along the margin gelatin silver print image 36.6 x 58.7 cm (14 3/8 x 23 1/8 in.) framed 60.5 x 87.2 cm (23 7/8 x 34 3/8 in.) Executed in 1980, this work is number 10 from an edition of 25.
Provenance Studio Guenzani, Milan Acquired from the above by the present owner Exhibited Tokyo, Mori Art Museum; Washington, D.C., Hirschhorn Museum and Sculpture Garden; Modern Art Museum of Fort Worth; San Francisco, De Young Museum; Dusseldorf, K 20 Kunstsammlung Nordrhein-Westfalen; Salzburg, Museum der Moderne; Neue Nationalgalerie, Staatliche Museen zu Berlin; Kunstmuseum Luzern, Hiroshi Sugimoto , 17 September 2005 - 25 January 2009, pp. 63, 374 (another example illustrated and exhibited, p. 63) Literature Atskuko Koyanagi, Photographs by Hiroshi Sugimoto dioramas, theaters, seascapes , Japan, 1988, n.p. (another example illustrated) Takaaki Matsumoto, ed., Hiroshi Sugimoto Dioramas , Italy, 2014, pp. 68, 117 (another example illustrated, p. 68) Artist Bio Hiroshi Sugimoto Japanese • 1948 Follow Hiroshi Sugimoto's work examines the concepts of time, space and the metaphysics of human existence through breathtakingly perfect images of theaters, mathematical forms, wax figures and seascapes. His 8 x 10 inch, large-format camera and long exposures give an almost eerie serenity to his images, treating the photograph as an ethereal time capsule and challenging its associations of the 'instant.' In his famed Seascapes, Sugimoto sublimely captures the nature of water and air, sharpening and blurring the elements together into a seamless, formless entity. This reflection of the human condition and its relationship with time follows through his exploration of historical topics and timeless beauty as he uniquely replicates the world around us. View More Works
Hiroshi Sugimoto Follow Mountain Lion (#109) blindstamped with the number '10/25 109' along the margin gelatin silver print image 36.6 x 58.7 cm (14 3/8 x 23 1/8 in.) framed 60.5 x 87.2 cm (23 7/8 x 34 3/8 in.) Executed in 1980, this work is number 10 from an edition of 25.
Provenance Studio Guenzani, Milan Acquired from the above by the present owner Exhibited Tokyo, Mori Art Museum; Washington, D.C., Hirschhorn Museum and Sculpture Garden; Modern Art Museum of Fort Worth; San Francisco, De Young Museum; Dusseldorf, K 20 Kunstsammlung Nordrhein-Westfalen; Salzburg, Museum der Moderne; Neue Nationalgalerie, Staatliche Museen zu Berlin; Kunstmuseum Luzern, Hiroshi Sugimoto , 17 September 2005 - 25 January 2009, pp. 63, 374 (another example illustrated and exhibited, p. 63) Literature Atskuko Koyanagi, Photographs by Hiroshi Sugimoto dioramas, theaters, seascapes , Japan, 1988, n.p. (another example illustrated) Takaaki Matsumoto, ed., Hiroshi Sugimoto Dioramas , Italy, 2014, pp. 68, 117 (another example illustrated, p. 68) Artist Bio Hiroshi Sugimoto Japanese • 1948 Follow Hiroshi Sugimoto's work examines the concepts of time, space and the metaphysics of human existence through breathtakingly perfect images of theaters, mathematical forms, wax figures and seascapes. His 8 x 10 inch, large-format camera and long exposures give an almost eerie serenity to his images, treating the photograph as an ethereal time capsule and challenging its associations of the 'instant.' In his famed Seascapes, Sugimoto sublimely captures the nature of water and air, sharpening and blurring the elements together into a seamless, formless entity. This reflection of the human condition and its relationship with time follows through his exploration of historical topics and timeless beauty as he uniquely replicates the world around us. View More Works
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
