Kawase Hasui (1883-1957), Takahashi Hiroaki (Shotei, 1871-1945) and Elizabeth Keith (1887-1956) Taisho (1912-1926) to Showa (1926-1989) era, 1926-1946 Comprising two oban tate-e prints, two oban yoko-e prints and a color lithograph; the first entitled Shibadaimon (Great Gate at Shiba), dated 1926, published by Sosaku Hanga-kai, Isetatsu genpan; the second entitled Sanshu Toyohama, dated 1936, published by Watanabe Shozaburo (Hanke shoyu fukyo fukusei Watanabe Shozaburo seal); and Mizuki no kumoribi Ibaraki-ken (Cloudy Day at Mizuki in Ibaraki Prefecture), dated 1946, published by Watanabe Shozaburo (6mm Watanabe round seal), each signed Hasui; Mizukubo (Mount Fuji from Mizukubo), circa 1936, signed Hiroaki; the last, a color lithograph of an older woman with an earring, signed in pencil Elizabeth Keith (5) 10 1/2 x 14 7/16in (26.7 x 36.8cm) the smallest 17 5/16 x 13 3/4in (44 x 34.8cm) the largest
Kawase Hasui (1883-1957), Takahashi Hiroaki (Shotei, 1871-1945) and Elizabeth Keith (1887-1956) Taisho (1912-1926) to Showa (1926-1989) era, 1926-1946 Comprising two oban tate-e prints, two oban yoko-e prints and a color lithograph; the first entitled Shibadaimon (Great Gate at Shiba), dated 1926, published by Sosaku Hanga-kai, Isetatsu genpan; the second entitled Sanshu Toyohama, dated 1936, published by Watanabe Shozaburo (Hanke shoyu fukyo fukusei Watanabe Shozaburo seal); and Mizuki no kumoribi Ibaraki-ken (Cloudy Day at Mizuki in Ibaraki Prefecture), dated 1946, published by Watanabe Shozaburo (6mm Watanabe round seal), each signed Hasui; Mizukubo (Mount Fuji from Mizukubo), circa 1936, signed Hiroaki; the last, a color lithograph of an older woman with an earring, signed in pencil Elizabeth Keith (5) 10 1/2 x 14 7/16in (26.7 x 36.8cm) the smallest 17 5/16 x 13 3/4in (44 x 34.8cm) the largest
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