[LABARRE de BEAUMARCHAIS, Antoine de] Tafereel, of Beschryving van den prachtigen Tempel der Zang-godinnen, vertoond in LX. heerlyke kunststukken. Behelzende alle de voornaemste geschiedenissen van de Fabel-Oudheid, getekend en in ’t koper gebragt, door Bernard Picart le Romain, en andere braeve meesters [...]. Amsterdam, Zacharias Chatelain, Folio: [8 incl. front.]-xxviii-158-[pp. (text sl. brown., pl. in good condition). Contemp. marbled calf (sl. rubbed), gilt orn. spine on 7 raised bands (joints sl. rubbed), red leather title label, spr. edges. Good copy. Dutch edition, publ. simultaneously with the original French ("Le temple des Muses"), of a sumptuous publication on classical mythology by La Barre de Beaumarchais (1698-after 1750). The work, based on Michel de Marolles’ "Le temple des Muses" (1655), explains a number of classical myths and stories, mainly from Ovid. It is esp. valued for the beautiful engravings by B. Picart (1673-1733), a French engraver active in the Netherlands : front., title vignette, headpiece to the dedication and full-page plates, printed within exquisite ornamental borders and inspired by the compositions of Abraham van Diepenbeeck for the ed. Ref. Cohen 531-- STCN (i.a. BL). - Not in Bn-Opale plus. Prov. Modern ms. ownership entry on front flyl.
[LABARRE de BEAUMARCHAIS, Antoine de] Tafereel, of Beschryving van den prachtigen Tempel der Zang-godinnen, vertoond in LX. heerlyke kunststukken. Behelzende alle de voornaemste geschiedenissen van de Fabel-Oudheid, getekend en in ’t koper gebragt, door Bernard Picart le Romain, en andere braeve meesters [...]. Amsterdam, Zacharias Chatelain, Folio: [8 incl. front.]-xxviii-158-[pp. (text sl. brown., pl. in good condition). Contemp. marbled calf (sl. rubbed), gilt orn. spine on 7 raised bands (joints sl. rubbed), red leather title label, spr. edges. Good copy. Dutch edition, publ. simultaneously with the original French ("Le temple des Muses"), of a sumptuous publication on classical mythology by La Barre de Beaumarchais (1698-after 1750). The work, based on Michel de Marolles’ "Le temple des Muses" (1655), explains a number of classical myths and stories, mainly from Ovid. It is esp. valued for the beautiful engravings by B. Picart (1673-1733), a French engraver active in the Netherlands : front., title vignette, headpiece to the dedication and full-page plates, printed within exquisite ornamental borders and inspired by the compositions of Abraham van Diepenbeeck for the ed. Ref. Cohen 531-- STCN (i.a. BL). - Not in Bn-Opale plus. Prov. Modern ms. ownership entry on front flyl.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
