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Auction archive: Lot number 273

MARIO SIRONI (1885-1961) EXPOSICION DE

Graphic Design
13 May 2021
Estimate
US$3,000 - US$4,000
Price realised:
US$3,000
Auction archive: Lot number 273

MARIO SIRONI (1885-1961) EXPOSICION DE

Graphic Design
13 May 2021
Estimate
US$3,000 - US$4,000
Price realised:
US$3,000
Beschreibung:

MARIO SIRONI (1885-1961) EXPOSICION DE LA REVOLUCION FASCISTA. 1932. 77x53 3/4 inches, 195 1/2x136 1/2 cm. Pizzi & Pizio, Milan. Condition B: extensive repaired tears, creases, abrasions and restoration in margins and image and along vertical and horizontal folds; replaced losses in margins. Two-sheets. Sironi was a painter and an early member of the Futurist movement in the years before World War I. After the war, he was one of the founders of the Novecento Italiano movement and began supporting Mussolini. He contributed hundreds of illustrations to and designed covers for the Fascist newspapers Il Popolo d'Italia and La Rivista Illustrata del Popola d'Italia. He also designed pavilions for exhibitions and numerous posters, both political and commercial (including Fiat). He eventually abandoned easel painting in favor of communicating via "a fusion of decoration and architecture exemplified by Gothic cathedrals. He felt that the mural was the proper basis of a popular national art" (Il Castello). Manifesti Italiani p. 131.

Auction archive: Lot number 273
Auction:
Datum:
13 May 2021
Auction house:
Swann Galleries, Inc.
104 East 25th Street
New York, NY 10010
United States
swann@swanngalleries.com
+1 (0)212 2544710
+1 (0)212 9791017
Beschreibung:

MARIO SIRONI (1885-1961) EXPOSICION DE LA REVOLUCION FASCISTA. 1932. 77x53 3/4 inches, 195 1/2x136 1/2 cm. Pizzi & Pizio, Milan. Condition B: extensive repaired tears, creases, abrasions and restoration in margins and image and along vertical and horizontal folds; replaced losses in margins. Two-sheets. Sironi was a painter and an early member of the Futurist movement in the years before World War I. After the war, he was one of the founders of the Novecento Italiano movement and began supporting Mussolini. He contributed hundreds of illustrations to and designed covers for the Fascist newspapers Il Popolo d'Italia and La Rivista Illustrata del Popola d'Italia. He also designed pavilions for exhibitions and numerous posters, both political and commercial (including Fiat). He eventually abandoned easel painting in favor of communicating via "a fusion of decoration and architecture exemplified by Gothic cathedrals. He felt that the mural was the proper basis of a popular national art" (Il Castello). Manifesti Italiani p. 131.

Auction archive: Lot number 273
Auction:
Datum:
13 May 2021
Auction house:
Swann Galleries, Inc.
104 East 25th Street
New York, NY 10010
United States
swann@swanngalleries.com
+1 (0)212 2544710
+1 (0)212 9791017
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