Millais (John Everett, 1829-1896). The Baby-House, [1872], etching on chine collé, published by the Etching Club in 1872, showing a small girl sitting by a doll's house and an older girl sitting on a chair beside, artist's signature, monogram, and title within image, plate size 14.3 x 18.3 cm (5.5 x 7.25 in), mounted, framed and glazed (35.5 40.5 cm), together with other etchings including: Breaking Up of the Agamemnon & Ye Compleat Angler both by Seymour Haden and an incomplete set of plates from A Selection of Etchings by The Etching Club, (and similar publications), containing etchings by Charles Cope, George B O'Neil, Thomas Cresswick, Richard Redgrave, John C Horsley, Frederick Tayler, and Charles Jacque Eaux-Fortes (1864), containing 20 plates, all loose in original publisher's bindings, folio (Quantity: 5)
Millais (John Everett, 1829-1896). The Baby-House, [1872], etching on chine collé, published by the Etching Club in 1872, showing a small girl sitting by a doll's house and an older girl sitting on a chair beside, artist's signature, monogram, and title within image, plate size 14.3 x 18.3 cm (5.5 x 7.25 in), mounted, framed and glazed (35.5 40.5 cm), together with other etchings including: Breaking Up of the Agamemnon & Ye Compleat Angler both by Seymour Haden and an incomplete set of plates from A Selection of Etchings by The Etching Club, (and similar publications), containing etchings by Charles Cope, George B O'Neil, Thomas Cresswick, Richard Redgrave, John C Horsley, Frederick Tayler, and Charles Jacque Eaux-Fortes (1864), containing 20 plates, all loose in original publisher's bindings, folio (Quantity: 5)
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
