Beschreibung:

Attributed to Sassoferrato (Giovanni Battista Salvi) (1609-1685) Maria Magdalena Oil on canvas, 73.2 x 59.6 cm Provenance: - Collection J. Goudstikker, Amsterdam, no. 622 as Sassoferrato - Private collection, the Netherlands Note: Giovanni Battista Salvi da Sassoferrato, also known as Giovanni Battista Salvi, was an Italian Baroque painter, known for his archaizing commitment to Raphael's style. He is often referred to only by the town of his birthplace (Sassoferrato), as was customary in his time, and for example seen with da Vinci and Caravaggio. Sassoferrato's contributions to art, particularly during the Baroque period, left a lasting legacy, earning him a revered place in the art world as a master of timeless and contemplative compositions. With the exception of a few portraits of ecclesiastical dignitaries and a self-portrait, Sassoferrato produced mostly devotional pieces, especially madonnas and female saints, intended for sale to pilgrims and other patrons. His masterful use of light, delicate brushwork, and attention to detail brought his subjects to life, capturing the essence of spirituality and inner grace. This painting is an outstending example of Sassoferrato's sentimental style, recognizable by the pious praying hand gesture and the upword gazebathing in the divine light. * Condition report available upon request
Johannes Stortenbeker (1821-1899) A Decorative Oval Relief with Putto in the Cloud Pouring Water from a Vase, Framed with Ribbons and Garlands (1856) Signed with monogram and dated 1856 Oil on canvas, 129.4 x 231.2 cm Provenance: Private collection, the Netherlands * Condition report available upon request
Attributed to Sassoferrato (Giovanni Battista Salvi) (1609-1685) Maria Magdalena Oil on canvas, 73.2 x 59.6 cm Provenance: - Collection J. Goudstikker, Amsterdam, no. 622 as Sassoferrato - Private collection, the Netherlands Note: Giovanni Battista Salvi da Sassoferrato, also known as Giovanni Battista Salvi, was an Italian Baroque painter, known for his archaizing commitment to Raphael's style. He is often referred to only by the town of his birthplace (Sassoferrato), as was customary in his time, and for example seen with da Vinci and Caravaggio. Sassoferrato's contributions to art, particularly during the Baroque period, left a lasting legacy, earning him a revered place in the art world as a master of timeless and contemplative compositions. With the exception of a few portraits of ecclesiastical dignitaries and a self-portrait, Sassoferrato produced mostly devotional pieces, especially madonnas and female saints, intended for sale to pilgrims and other patrons. His masterful use of light, delicate brushwork, and attention to detail brought his subjects to life, capturing the essence of spirituality and inner grace. This painting is an outstending example of Sassoferrato's sentimental style, recognizable by the pious praying hand gesture and the upword gazebathing in the divine light. * Condition report available upon request
Izaak Schouman (1801-1878) Portrait of a Young Woman (c. 1855) Signed lower left Oil on panel, 26.4 x 22.2 cm Provenance: Private collection, the Netherlands Note: The portrayed is possibly named Dart, according to an inscription on the backing of the painting. * Condition report available upon request
Attributed to Sassoferrato (Giovanni Battista Salvi) (1609-1685) Maria Magdalena Oil on canvas, 73.2 x 59.6 cm Provenance: - Collection J. Goudstikker, Amsterdam, no. 622 as Sassoferrato - Private collection, the Netherlands Note: Giovanni Battista Salvi da Sassoferrato, also known as Giovanni Battista Salvi, was an Italian Baroque painter, known for his archaizing commitment to Raphael's style. He is often referred to only by the town of his birthplace (Sassoferrato), as was customary in his time, and for example seen with da Vinci and Caravaggio. Sassoferrato's contributions to art, particularly during the Baroque period, left a lasting legacy, earning him a revered pla