Beschreibung:

Beatrizet (Nicolas, circa 1507- circa 1566). The Combat between Reason and Amor, after Baccio Bandinelli (1493-1560), 1545, engraving, a good impression, together with a collection of various 16th century Italian engravings, including Marco da Ravenna (1493-1527), The Massacre of the Innocents, after Bandinelli, circa 1520-1527, Luca Ciamberlano (circa 1535-1612), Noli me Tangere, after Federico Barocci, 1509, engraving; Francesco Villamena (circa 1565-1624), The Descent from the Cross, after Barocci, 1606, engraving; Giorgio Ghisi (1520-1582), The Dispute on the Sacrament, 1552, after Raphael, engraving printed from two plates on two sheets of laid paper, each with an indistinct watermark; G. Ghisi, The School of Athens, after Raphael, 1550 (the left half); Anonymous copy after Marcantonio Raimondi (1470/1482-1527/1534), Apollo and the Muses on Mount Parnassus, after Raphael, 1510-1520, engraving; Francesco Panini (1745-1812), Veduta in Prospettiva della gran Fontana dell’Aqua Vergine detta di Trevi, engraving; Martino Rota (circa 1520-1583) The Last Judgement, after Michelangelo, engraving, all very good to good impressions, variously trimmed, some backed, various defects, unframed, within a paper folder inscribed in a 17th century hand (?) in pen and brown ink ’12 impressions after Raphael – I do after Michaelangelo’, largest 49.7 x 71 cm (19 1/2 x 28 ins), smallest 42 x 29.5 cm (16 1/2 x 11 5/8 ins), (Quantity: 10)