Nicolaus Hogenberg (Munich 1498/1502- circa 1539 Mechelen)
Two roundels: Christ as the Man of Sorrows, seated on the Cross, with a blank shield for the donor's coat-of-arms below ( recto ); The Crucifixion with the Virgin Mary and Saint John the Evangelist ( verso )
Nicolaus Hogenberg (Munich 1498/1502- circa 1539 Mechelen) Two roundels: Christ as the Man of Sorrows, seated on the Cross, with a blank shield for the donor's coat-of-arms below ( recto ); The Crucifixion with the Virgin Mary and Saint John the Evangelist ( verso ) black chalk, pen and brown ink, grey wash and red chalk, on light brown paper, circular, the recto composed of four joined sheets, the verso (which is a separate drawing laid down back to back with the recto ) composed of three joined sheets, recto and verso each with partial framing lines 13 1/8 in. (33.3 cm.) diam.
Nicolaus Hogenberg (Munich 1498/1502- circa 1539 Mechelen)
Two roundels: Christ as the Man of Sorrows, seated on the Cross, with a blank shield for the donor's coat-of-arms below ( recto ); The Crucifixion with the Virgin Mary and Saint John the Evangelist ( verso )
Nicolaus Hogenberg (Munich 1498/1502- circa 1539 Mechelen) Two roundels: Christ as the Man of Sorrows, seated on the Cross, with a blank shield for the donor's coat-of-arms below ( recto ); The Crucifixion with the Virgin Mary and Saint John the Evangelist ( verso ) black chalk, pen and brown ink, grey wash and red chalk, on light brown paper, circular, the recto composed of four joined sheets, the verso (which is a separate drawing laid down back to back with the recto ) composed of three joined sheets, recto and verso each with partial framing lines 13 1/8 in. (33.3 cm.) diam.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
