Pino, Paolo (1534-1565) Dialogo di Pittura. Venice: Paolo Gherardo, 1548. First edition, octavo, A-H4, I2, bound in modern full russet morocco, 5 1/2 x 3 1/2 in. Cicognara 185; Houghton FA 3140.6*; Blunt, Artistic Theory in Italy, pp. 82-85; Schlosser Magnino pp. 239. Pino was a painter, a contemporary of Titian, and a pupil of Savoldo. He writes at a transitional time in Italian painting, organizing his criticism in the form of a dialogue between two painters, the impoverished Lauro of Venice, and the more successful Fabio of Tuscany.
Pino, Paolo (1534-1565) Dialogo di Pittura. Venice: Paolo Gherardo, 1548. First edition, octavo, A-H4, I2, bound in modern full russet morocco, 5 1/2 x 3 1/2 in. Cicognara 185; Houghton FA 3140.6*; Blunt, Artistic Theory in Italy, pp. 82-85; Schlosser Magnino pp. 239. Pino was a painter, a contemporary of Titian, and a pupil of Savoldo. He writes at a transitional time in Italian painting, organizing his criticism in the form of a dialogue between two painters, the impoverished Lauro of Venice, and the more successful Fabio of Tuscany.
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