Beschreibung:

Property from a Distinguished Private CollectionJeff Koonsb. 1955
Art Magazine Adssigned, dated '89 and numbered 22/50 (lower right of each)color lithographs, in four partseach: 36 by 28 in.91.4 by 71.1 cm.
Executed in 1989, this work is number 22 from an edition of 50, plus 10 artist's proofs.Condition reportThese works are in very good condition overall. The colors are bright and fresh. Please note these works were not examined out of the frame. Each framed under Plexiglas.
Framed dimensions: 40 1/2 by 33 3/4 in. (102.9 by 85.7 cm.)
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who can more fully review the condition of the property with you. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's or in any condition report we may provide to you is merely a subjective qualified opinion, provided to you solely for your convenience, and is subject to change.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE OR CONDITIONS OF BUSINESS, AS APPLICABLE, INCLUDED IN THE DIGITAL CATALOGUE.ProvenanceDaniel Weinberg Gallery, New York
Acquired from the above in March 1990 by the present ownerLiteratureExh. Cat., New York, Whitney Museum of American Art, Image World, Art and Media Culture, 1989, p. 75, illustrated in color
"Jeff Koons e la Pubblicita di se stesso," Flash Art News, no. 147, December 1988 - January 1989, p. 2, illustrated
Anthony Calnek, "New York," Contemporanea 2, no. 1, January-February 1989, p. 12, illustrated in color
Daniel Pinchbech, "Jeff Koons," Splash, April 1989, p. 69 (text)
Stuart Morgan, Jutta Koether David Salle and Sherrie Levine "Big Fun: Four Reactions to the New Jeff Koons " Artscribe, March/April 1989, p. 46-47, illustrated in color
Richard Lacayo, "Artist Jeff Koons Makes, and Earns, Giant Figures," People Magazine 31, no. 18, 8 May, 1989, p. 128, illustrated
Glenn O'Brien, "Koons Ad Nauseum," Parkett, no. 18, 1989, p. 64, illustrated
Nick Jenkins, "Mr. Koons," Tatler, November 1989, p. 147, illustrated in color 
Mark Stevens, "The Shock of the Faux," Vanity Fair 52, no. 12, December 1989, p. 114, illustrated
Exh. Cat., Durham, Duke University Museum of Art, Fractured Fairy Tales: Art in the Age of Categorical Disintegration, 1989, pp. 64, 72 and 90, illustrated
Andrew Renton, "Super Star," Blitz Magazine (London), no. 85, January 1990, p. 52, illustrated in color
Eleanor Heartney, Judith Russi Kirschner, Anne Rorimer and James Yood, The Refco Collection, Chicago, 1990, p. 90, illustrated in color
Exh. Cat., New York, Museum of Modern Art, High and Low: Modern Art and Popular Culture, 1990, pp. 395-296 (text)
"Pop Art," The New Paper, 11 May 1990, p. 23, illustrated in color
Sarah Morris, "Jeff Koons," Galeries Magazine, May 1990, pp. 127, 129, 132, 133, illustrated in color
Jon Spayde, "Artist or Adman?", Continental Profiles 3, no. 12, December 1990, p. 42 (text)
Robert Enright, "The Material Boy and the Femme Fidele," Border Crossings 10, no. 1, Winter 1990-1991), p. 36, illustrated in color
Daniel Pinchbeck, "Kitsch and Tell," Connoisseur 221, no. 958, November 1991, p. 24, 125 (text)
Sylvere Lotringer, "Third Wave: Art and the Commodification of Theory," Flash Art, May-June, 1991, p. 93, illustrated in color
Hanz Werner Holzwarth ed., Jeff Koons New York, 2007, pp. 255, 257-259, illustrated in color
Matthew Taylor ed., Jeff Koons Conversations with Norman Rosenthal, London, 2014, pp. 30, 264, 278, 292, illustrated in color
Fred Fehlau, Anne Friedberg, Michael Lassell, David Robbins  Hollywood, Hollywood: Identity Under the Guise of Celebrity, Pasadena, 1992, p. 45, illustrated in color
Albig Jorg-Uwe, "Jeff Koons, ein Prophet der inneren Leere," Art Das Kunstmagazine, December 1992, no. 12
Jeff Koons and Robert Rosenblum, The Jeff Koons Handbook, London, 1992, pp. 92-95, illustrated in color
Stuart Morgan, “Deep and Low: Madonna’s ‘Sex’ and ‘The Jeff Koons Handbook’ reviewed by Stuart Morgan,” Frieze, issue 8, January/February 1993, p. 43, illustrated
Horst Valer, "Kunst der totalen Banalitat," Das Magazin (Berlin), April 1993, p. 54, illustrated in color
Exh. Cat., Ludwigshafen, Wilhelm-Hack-Museum, Zeitsprünge, Kunstlerische Positionen der 80er Jahre: Sammlung Rudolf und Ute Scharpff, 1993, p. 52-55, illustrated in color
Exh. Cat., Philadelphia, Institute of Contemporary Art, Face Off: The Portrait in Recent Art, 1994, p. 17, illustrated in color
Exh. Cat., Toulouse, Galerie Municipale du Chateau d’Eau, Autoportraits, 1997, p. 31, illustrated in color
Nicolas Bourriaud, “Jeff Koons Ingenieur du desir," Beaux Arts, September 1997, p. 46, illustrated in color
France Huser, "Jeff Koons: L'Irrévérencieux," L'Officiel, November 1997, no. 80, p. 157, illustrated in color
Exh. Cat., Kunstmuseum Wolfsburg, Gesammelte Werke 1 Zeitgenössische Kunst seit 1968, 1999, p. 273
Robert Rosenblum, On Modern American Art: Selected Essays, New York, 1999, p. 333, illustrated
Marco Senaldi, “American Beauty,” Flash Art International (Milan) 38, no. 240, April-May 2000, p. 87, illustrated in color
David Bjelajac, American Art: A Cultural History, London, 2000, p. 391, illustrated in color
Exh. Cat., Cologne, Kunsthaus Bregenz, Jeff Koons Kunthaus Bregenz, p. 16, illustrated
Barry Hoffman, “The Greatest Degeneration,” The Fine Art of Advertising, 2002, p. 134, illustrated in color
Exh. Cat., Naples, Museum Archeologico Nazionale Napoli, Jeff Koons 2003, p. 73-77, illustrated in color
Katy Siegel, “Jeff Koons Talks to Katy Siegel,” Artforum, March 2003, p. 252-253, 283, illustrated in color
Alessandra Mammi, “Dalla Staller alle stele,” L’espresso, no. 23, 5 June 2003, p. 126, illustrated
Jonathan Heaf, “Blow Up,” POP, no. 8, Spring/Summer 2004, p. 321 (text)
Exh. Cat., Istanbul, Istanbul Museum of Art, Center of Gravity, 2005, p. 182, illustrated in color
Richard Lacayo, “How Does ‘80s Art Look Now?” TIME 165, no. 13, March 2005, p. 59
Kelly Devine Thomas, "The Selling of Jeff Koons " ARTnews 104, no. 5, May 2005, p. 119, illustrated in color
Ute Grosenick and Raimar Stange, eds., International Art Galleries: Post-War to Post-Millennium, Cologne, 2005, p. 17, illustrated in color
Exh. Cat., Paris, Collections de Saint Cyprien. Nous Nous Sommes Tant Aimés, 2006, pp. 57, 63, 76, illustrated in color
Emanuelle Lequeux "Self made mythe" in "Jeff Koons: Versailles," Beaux Arts éditions, September 2008, p. 5, illustrated in color
Jonathan Shaughnessy, "Sex Sells. Art, Publicity and Pop Life," Vernissage: The Magazine of the National Gallery 12, no. 12, Spring 2010, p. 19, illustrated in color
Brad Finger and Christiane Weidemann, 50 Contemporary Artists You Should Know, Munich, 2011, p. 69 (text)
Exh. Cat., Sydney, Art Gallery of New South Wales., John Kaldor Family Collection, 2011, pp. 197, 206, 208-9, 338
Hans-Joachim Muller, "Es war einmal... (Once Upon a Time...)" Monopol: Special Jeff Koons Berlin, 2012, p. 21
Alison M. Gingeras, "Instant Classic", Artforum 52, no. 1, September 2013, p. 145
Joachim Pissarro, Jeff Koons Brussels, 2013, pp. 7, 11
Exh. Cat., Berlin, Galerie Max Hetzler, Remember Everything – 40 Years Galerie Max Hetzler, p. 116, illustrated in color
Peter Schjeldahl, "Selling Points," The New Yorker, 7 -14, July 2014, p. 93
Jeff Koons, "Scan to Koonsume," Garage Magazine, Fall/Winter 2014, pp. 86-89, illustrated in color
Manami Fujimori, "Jeff Koons," Art Techo, vol. 66, no. 1012, October 2014, pp. 5, 70, illustrated in color
Hans Werner Holzwarth, ed., Koons, Cologne, 2015, p. 43, illustrated in color
Exh. Cat., Paris, Centre Pompidou, Jeff Koons La Rétrospective Le Portfolio de L'Exposition/The Retrospective The Portfolio of The Exhibition, 2015, pp. 72-75, illustrated in color
Exh. Cat., Stockholm, Nationalmuseum, Moderna Museet, Royal Academy of Fine Arts, Konstnären: The Artist, 2016, pp. 40-41, illustrated in color
Robert Storr, Interviews on Art, London, 2017, p. 392, illustrated in color
Exh. Cat., Oslo, Astrup Fearnley Museet, Jeff Koons Works from the Astrup Fearnley Collection, 2018, pp. 6, 14, 31, 33, 35, 37, illustrated in color
Massimiliano Gioni and Natalie Bell, Jeff Koons 2000 Words, Athens, 2019, pp. 68-71, illustrated in color
Martine Aubrey, Le rêve d'être artiste, Lille, 2019, p. 145, illustrated in color
Luis C. Lopez Morton Z., ”Esposicion,”, Apariencia Desnuda, 14 June 2019, p. 145, illustrated in color
Luis C. Lopez Morton Z.," Rubell Museum," El universal (Mexico), 10 January 2020 (online)
Letizia Dannery, "The cutting edge of contemporary art," L'Express, 12 January 2020 (online)
Ann-Marie Perl, "A more public arena: Jeff Koons’ Reinvention in the Midst of Reaganism," Association for Art History, June 2020, p. 494-495, illustrated in color (color ill. pp. 494, 495)
Exh. Cat., Venice, Palazzo Strozzi, Jeff Koons Shine. 2021 p. 175
Caroline Goldstein, "Jerry Saltz Once Called Artforum Ads 'the Porn of the Art World.' A New Show Brings Together Some of the Best—See Them Here," Artnet News, January 18, 2022, illustrated in color (online)ExhibitedAarhus Kunstmuseum, Jeff Koons Retrospective, 1993, pp. 113-114 (another example exhibited)
London, Anthony d'Offay Gallery, Jeff Koons A Survey 1981-1994, 1994(another example exhibited)
Hanover, Sprengel Museum, Die Orte der Kunst: der Kunsbetrieb als Kunswerk, 1994 (another example exhibited)
Porto, Fundação de Serralves, Arca de Noe, 1994-1995, pp. 78-81, illustrated in color (another example exhibited)
Hamburger Kunsthalle, Family Values: American Art in the Eighties and Nineties: The Scharpff Collection at the Hamburger Kunsthalle, 1996, p. 53, illustrated in color (another example exhibited)
Paris, Galerie Jérôme de Noirmont, Jeff Koons 1997, pp. 58-65, illustrated in color (another example exhibited)
Athens, DESTE Foundation, Jeff Koons A Millennium Celebration, 1997, pp. 44-46, illustrated in color (another example exhibited)
Kunsthaus Bielefeld, Jeff Koons Pictures 1980-2002, 2002, pp. 23, 54-57, illustrated in color (another example exhibited)
Athens, DESTE Foundation for Contemporary Art, Monument to Now, 2004-2005, pp. 214-215 (another example exhibited)
Oslo, Astrup Fearnley Museum of Modern Art & Helsinki City Art Museum, Jeff Koons Retrospective, 2004-2005, pp. 90-93, 146-157, illustrated in color (another example exhibited)
Museum of Contemporary Art Chicago, Jeff Koons 2008 (another example exhibited)
Schirn Kunsthalle Frankfurt, The Making of Art: The Art World and its Players, 2009, p. 150, 153-157, illustrated in color (another example exhibited)
Ottowa, National Gallery of Canada, Pop Life - Art in a Material World, 2010 (another example exhibited)
Schirn Kunsthalle Frankfurt, Jeff Koons The Painter, 2012, p. 72, illustrated in color (another example exhibited)
Basel, Fondation Beyeler, Jeff Koons 2012, pp. 77-81, illustrated in color (another example exhibited)
New York, Whitney Museum of American Art; Paris, Centre Pompidou, Musée National d'Art Moderne; Guggenheim Museum Bilbao, Jeff Koons A Retrospective, 2014-2015, no. 4, p. 23, 114, 116-17, 231, 287, illustrated in color (New York); pp. 13, 122-125, 241, illustrated in color (Paris); pp. 26, 118-121, 243 (Bilbao) (another example exhibited)
Bordeaux, Frac Aquitaine, Loft Story, 2016 (another example exhibited)
Stockholm, Konstakademien; Moderna Museet Malmö, Jeff Koons 2016-2017 (another example exhibited)
Washington, D.C., The Hirshhorn Museum and Sculpture Garden, Brand New: Art and Commodity in the 1980s, 2018, p. 95-97, illustrated in color (another example exhibited)
Bologna, Palazzo Albergati, Warhol & Friends: New York negli anni '80, 2018-2019 (another example exhibited)
Mexico City, Museo Jumex, Appearance Stripped Bare: Desire and the Object in the Work of Marcel Duchamp and Jeff Koons  2019, pp. 66, 134, 135, 140, 141 (another example exhibited)
Stockholm, Nationalmuseum, 1989 - Culture and Politics, 2019-2020 (another example exhibited)
Lille, Palais des Beaux-Arts, Le Rêve d'Être Artiste, 2019-2020 (another example exhibited)
Brussels, ING Art Center, Hahaha: The Humour of Art, 2021-2022 (another example exhibited)