Beschreibung:

The Garden of Hesperides
Provenance: Estate of the artist. Shepherd Gallery, New York. Anonymous sale; Russian Art , Sotheby’s New York, 17 April 2007, Lot 369. Private collection, UK. Exhibited: World of Art Exhibition , Petrograd, 1916, No. 3. The Boris Anisfeld Exhibition , itinerant: Brooklyn Museum, Boston Art Club, Albright Art Gallery Buffalo, Cleveland Museum of Art, Detroit Institute of Art, Milwaukee Art Institute, Minneapolis Institute of Art, St Louis City Art Museum, San Francisco Palace of Honor, The Art Institute of Chicago, 1918–1920, No. 63. The Boris Anisfeld Exhibition , Reinhardt Galleries, New York, 1924, No. 10. Exhibition of Paintings and Drawings by Boris Anisfeld , Worcester Art Museum, 1924, No. 31. Exhibition of Paintings and Drawings by Boris Anisfeld , Boston Art Club and Twentieth Century Club, Boston, 1924–1925, No. 31. Exhibition of Paintings by Boris Anisfeld , Buffalo Fine Arts Academy and Albright Art Gallery, Buffalo, 1928, No. 6. Boris Anisfeld in St Petersburg 1901–1917 , Shepherd Gallery, New York, 1984, No. 47. Boris Anisfeld “Fantast-Mystic”. Twelve Russian Paintings from the Collection of Joey and Toby Tanenbaum , itinerant: Art Gallery of Ontario, Toronto; Laurentian University Museum and Art Centre, Sudbury; Art Gallery St Thomas-Elgin, St Thomas; Tom Thomson Memorial Art Gallery, Owen Sound, 1989–1990, No. 11. Literature: C. Brinton, The Boris Anisfeld Exhibition, New York, 1918, No. 63, illustrated. L. Weinberg, “The Art of Boris Anisfel", The International Studio , vol. 66, November 1918, pp. III–XI, No. 261. H. Tyrell, “The Exotic Art of Boris Anisfeld”, The Christian Science Monitor , undated, c. 1918. W. H. D., “The Anisfeld Pictures”, The Evening Transcript , Boston. N. N., “A Russian Painter and New York Water Colorists”, The Nation , 16 November 1918, pp. 595–596. F. Coburn, “Russian Artist Exhibits Works”, The Boston Herald , 10 December 1918. A. Philpott, “New Thrill From Anisfeld Pictures”, Boston Daily Globe , 10 December 1918, p. 5. F. de Cisneros, “La Opulencia Bizantina: Boris Anisfeld”, Social, Havana , 1918, p. 19, illustrated. C. Brinton, “The Boris Anisfeld Exhibition”, Brooklyn Museum Quarterly , January 1919, pp. 11, 18. “Boris Anisfeld’s Paintings Big Art Feature”, Buffalo News , 18 January 1919. M. Kinkead, “Boris Anisfeld: Colorist”, Asia , 19 February 1919, pp. 170–172, illustrated. M. Roberts, “The Great Russia Put on Canvas, Illustrated by the Paintings of Boris Anisfeld”, The Touchstone , February 1919, p. 392. J. Glasier, “Anisfeld’s Fantastic and Modernist Canvases Go on Exhibition at Museum”, Plain Dealer , Cleveland, 16 and 23 February 1919. “Cleveland”, American Art News , New York, 29 March 1919. M. Williams, “Painted His Pictures as Russian Guns Roared – Boris Anisfeld’s Exhibition in Chicago Full of Slav Atmosphere”, News , Chicago, 5 April 1919. E. Jewett, “New Paintings at Institute Form Notable Exhibit”, Daily Tribune , Chicago, 6 April 1919, p. D7. Marcus, “Anisfeld’s Paintings Give Thrills to Visitors at Institute”, Herald , Chicago, 10 April 1919. Bulletin of the Art Institute of Chicago , May 1919, pp. 70–71. “Anisfeld Exhibition Still Big Attraction”, Bulletin , San Francisco, 28 May 1919. “The Anisfeld Collection”, Argonaut , San Francisco, 3 May 1919. “Boris Anisfeld’s Pictures”, Mirror , St Louis, 24 July 1919. “Anisfeld Pictures at Art Institute”, Milwaukee Sentinel , 20 September 1919. M. Mayhew, “Anisfeld Works Attract Critics”, Milwaukee Sentinel , 21 September 1919. P.B., “Anisfeld Pictures Opulent in Colour”, Art News , 29 March 1924. M. Williams, “About a Painter Without Theories”, Chicago Daily News , 8 January 1930. Boris Anisfeld in St Petersburg 1901–1917 , New York, Shepherd Gallery, 1984, No. 47, plate 47, illustrated. R. Mesley, Boris Anisfeld “Fantast-Mystic”. Twelve Russian Paintings from the Collection of Joey and Toby Tanenbaum , Toronto, 1989, pp. 60–63, illustrated. E. Lingenauber and O. Sugrobova-Roth, Boris Anisfeld. Catalogue raisonné