THIS LOT IS SOLD WITH NO RESERVE Various Artists Six works by Adolf Gottlieb; Josef Albers; Paul Jenkins; Max Ernst; and Victor Vasarely 1967; 1966; 1987; 1972; and 1969 Two screenprints by Adolph Gottlieb and Josef Albers three lithographs (one with collage) by Paul Jenkins Max Ernst and Victor Vasarely all in colours, the prints on various wove papers, with full margins and full sheets, plus one aluminium multiple by Victor Vasarely all I. various sizes, largest S. 56 x 76.2 cm (22 x 30 in.) aluminium multiple, both S. 46.5 x 39.5 cm (18 1/4 x 15 1/2 in.) all signed in full or with initials, some dated, one titled, all numbered 64/75, '142-200', 24/60, 7/111, and 115/138 respectively in pencil or black ink (some with artist’s proofs and additional unsigned or hors commerce impressions), published by Marlborough Graphics, New York, Ives-Sillman, Inc., New Haven (with their blindstamp), Hatje Cantz, Stuttgart, and Editions Esselier, paris, respectively, the Josef Albers framed, the remainder unframed.
Literature Brenda Danilowitz 173.7 (Josef Albers ; Werner Spies and Helmut Rudolf Leppien 222 (Max Ernst Catalogue Essay Including Flurry (Adolph Gottlieb ; Variation VII, from Ten Variations (Josef Albers ; Untitled II (Paul Jenkins ; Histoire Naturelle: one plate (Max Ernst ; Sauzon (Belle-Isle), from Le discours de la méthode portfolio (Victor Vasarely ; Image Miroir, from Le discours de la méthode portfolio (Victory Vasarely) Read More
THIS LOT IS SOLD WITH NO RESERVE Various Artists Six works by Adolf Gottlieb; Josef Albers; Paul Jenkins; Max Ernst; and Victor Vasarely 1967; 1966; 1987; 1972; and 1969 Two screenprints by Adolph Gottlieb and Josef Albers three lithographs (one with collage) by Paul Jenkins Max Ernst and Victor Vasarely all in colours, the prints on various wove papers, with full margins and full sheets, plus one aluminium multiple by Victor Vasarely all I. various sizes, largest S. 56 x 76.2 cm (22 x 30 in.) aluminium multiple, both S. 46.5 x 39.5 cm (18 1/4 x 15 1/2 in.) all signed in full or with initials, some dated, one titled, all numbered 64/75, '142-200', 24/60, 7/111, and 115/138 respectively in pencil or black ink (some with artist’s proofs and additional unsigned or hors commerce impressions), published by Marlborough Graphics, New York, Ives-Sillman, Inc., New Haven (with their blindstamp), Hatje Cantz, Stuttgart, and Editions Esselier, paris, respectively, the Josef Albers framed, the remainder unframed.
Literature Brenda Danilowitz 173.7 (Josef Albers ; Werner Spies and Helmut Rudolf Leppien 222 (Max Ernst Catalogue Essay Including Flurry (Adolph Gottlieb ; Variation VII, from Ten Variations (Josef Albers ; Untitled II (Paul Jenkins ; Histoire Naturelle: one plate (Max Ernst ; Sauzon (Belle-Isle), from Le discours de la méthode portfolio (Victor Vasarely ; Image Miroir, from Le discours de la méthode portfolio (Victory Vasarely) Read More
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
