Beschreibung:

Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ger van Elk (1941-2014) Alkmaar (1983) Signed, titled, dated '83 and numbered 2/20 lower right Photograph and acrylic in painted wooden frame, 92.9 x 87.9 cm Provenance: Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ger van Elk (1941-2014) Palm (1983) Signed and dated 1983 on the reverse of the frame Photos, acrylic and collage in painted wooden frame, 102 x 102 cm Provenance: - Art & Project, Slootdorp, 1996 - Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ger van Elk (1941-2014) Kinselmeer, Stompe Toren (1995) Black and white photograph, glazed and laminated on plastic, 32 x 55 cm Provenance: - Galerie de Expeditie, Zsa-Zsa Eyck, Amsterdam, 1996 - Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ger van Elk (1941-2014) Kinselmeer, "Stompe Toren" (December 1995) Signed, titled and dated December 1995 on a certificate dated 16 mei 1996 affixed to the backing of the frame C-print on Plexiglass in two-part wooden frame, 75.7 x 144.4 cm Provenance: - Galerie de Expeditie, Zsa-Zsa Eyck, Amsterdam, 1996 - Private collection, the Netherlands Note: Over the years, Van Elk also developed a growing interest in classical pictorial elements. For instance, he created a series of works depicting the Kinselmeer, reminiscent of seventeenth-century seascapes. Eventually, Van Elk proved not to be a strict conceptual purist, but a curious artist who studied the visual traditions of European art. "When you are young, you want to explore your field. Later on, you realize that history repeats itself. When you look at those Flemish Primitives in Bruges, Hans Memling, Rogier van der Weyden: the concentration evident in those works!" - Ger van Elk * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ger van Elk (1941-2014) "Nebraska I" (1984) Signed, titled and dated '84 on the reverse Colour photograph on polystyrene, polyurethane paint and varnish in grey painted frame, 168 x 124.6 x 17.3 cm Provenance: - Art & Project, Slootdorp, 1984 - Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ger van Elk (1941-2014) Conclusion I - New York "Grey" (2010) Signed and dated 2010 on the reverse Signed, titled and dated 2010 on a label attached to the backing of the frame Acrylic paint on photograph on canvas, 96 x 102 x 5.5 cm Provenance: - Grimm Gallery, Amsterdam - Private collection, the Netherlands Note: In the nuanced masterpiece Conclusions I - New York "Grey", Ger van Elk transcends the conventional boundaries of colour, ushering view