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Auction archive: Lot number 257

TOM WESSELMANN (1931-2004)

Estimate
US$1,000,000 - US$1,500,000
Price realised:
US$1,134,000
Auction archive: Lot number 257

TOM WESSELMANN (1931-2004)

Estimate
US$1,000,000 - US$1,500,000
Price realised:
US$1,134,000
Beschreibung:

Details
TOM WESSELMANN (1931-2004)
Bedroom Painting #64
signed and dated 'Wesselmann 83' (on the overlap); signed again, titled and dated again 'BEDROOM PAINTING #64 1983 WESSELMANN' (on the stretcher)
oil on shaped canvas
71 x 138 in. (180.3 x 350.5 cm.)
Painted in 1983.
Provenance
Estate of the artist, New York
Acquired from the above by the present owner
Literature
J. Wilmerding, Tom Wesselmann His Voice and Vision, New York, 2008 p. 136 (illustrated).
S. Aquin, Beyond Pop: Tom Wesselmann Montreal 2012, exh. cat., Montreal Museum of Fine Arts, pp. 22-23, no. 3 (illustrated).
Exhibited
New York, Sidney Janis Gallery, New Work by Tom Wesselmann November 1983.
New York, Yvon Lambert, Tom Wesselmann Drop-out, December 2007-January 2008, n.p., no. 14 (illustrated).
Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. The third party will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot above the written bid.
Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot.
Post Lot Text
Please note that this work will be included in the Tom Wesselmann Digital Corpus published by the Wildenstein Plattner Institute, and will be included in their forthcoming Tom Wesselmann Digital Catalogue Raisonné.

Auction archive: Lot number 257
Auction:
Datum:
18 Nov 2022
Auction house:
Christie's
King Street, St. James's 8
London, SW1Y 6QT
United Kingdom
+44 (0)20 7839 9060
+44 (0)20 73892869
Beschreibung:

Details
TOM WESSELMANN (1931-2004)
Bedroom Painting #64
signed and dated 'Wesselmann 83' (on the overlap); signed again, titled and dated again 'BEDROOM PAINTING #64 1983 WESSELMANN' (on the stretcher)
oil on shaped canvas
71 x 138 in. (180.3 x 350.5 cm.)
Painted in 1983.
Provenance
Estate of the artist, New York
Acquired from the above by the present owner
Literature
J. Wilmerding, Tom Wesselmann His Voice and Vision, New York, 2008 p. 136 (illustrated).
S. Aquin, Beyond Pop: Tom Wesselmann Montreal 2012, exh. cat., Montreal Museum of Fine Arts, pp. 22-23, no. 3 (illustrated).
Exhibited
New York, Sidney Janis Gallery, New Work by Tom Wesselmann November 1983.
New York, Yvon Lambert, Tom Wesselmann Drop-out, December 2007-January 2008, n.p., no. 14 (illustrated).
Special Notice
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. Christie's therefore sometimes chooses to share that risk with a third party. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In doing so, the third party takes on all or part of the risk of the lot not being sold. If the lot is not sold, the third party may incur a loss. The third party will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. The third party may also bid for the lot above the written bid.
Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot.
Post Lot Text
Please note that this work will be included in the Tom Wesselmann Digital Corpus published by the Wildenstein Plattner Institute, and will be included in their forthcoming Tom Wesselmann Digital Catalogue Raisonné.

Auction archive: Lot number 257
Auction:
Datum:
18 Nov 2022
Auction house:
Christie's
King Street, St. James's 8
London, SW1Y 6QT
United Kingdom
+44 (0)20 7839 9060
+44 (0)20 73892869
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