Comprising Zokuso no tsuki (Moon of the enemy's lair), from the series Tsuki hyakushi (One hundred aspects of the moon) by Tsukioka Yoshitoshi (1839-1892); a triptych of women in a garden by Miyagawa Shuntei (1873-1914); one sheet of a woman after a bath, also by Shuntei; two bird and flower prints by Kono Bairei (1844-1895); one sheet of beauties by Adachi Ginko (1874-1897); one sheet of a beauty emerging from the bath, by Mizuno Toshikata (1868-1908); a tritpych, also by Toshikata, of Ushiwaka maru receiving the scroll from Sobojo; one sheet of children at play, by Hashimoto Chikanobu (1838-1912); and three sheets from the series Fujin fuzoku zukushi (Women's manners and customs) by Ogata Gekko (1859-1920); very good impressions and color, good conditions, some attached to paper backing at corners, the Toshikata triptych attached at vertical edges with creases and trimming. [16] oban size
Comprising Zokuso no tsuki (Moon of the enemy's lair), from the series Tsuki hyakushi (One hundred aspects of the moon) by Tsukioka Yoshitoshi (1839-1892); a triptych of women in a garden by Miyagawa Shuntei (1873-1914); one sheet of a woman after a bath, also by Shuntei; two bird and flower prints by Kono Bairei (1844-1895); one sheet of beauties by Adachi Ginko (1874-1897); one sheet of a beauty emerging from the bath, by Mizuno Toshikata (1868-1908); a tritpych, also by Toshikata, of Ushiwaka maru receiving the scroll from Sobojo; one sheet of children at play, by Hashimoto Chikanobu (1838-1912); and three sheets from the series Fujin fuzoku zukushi (Women's manners and customs) by Ogata Gekko (1859-1920); very good impressions and color, good conditions, some attached to paper backing at corners, the Toshikata triptych attached at vertical edges with creases and trimming. [16] oban size
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