Wang Qingsong Romantique 2003 c-print 56 x 308 cm. (22 x 121 1/4 in.) Signed, numbered and dated ‘2003 Wang Qingsong’ lower right. This work is from an edition of 25.
Provenance Albion Gallery, London Literature ArtForum, New York, May 2004, p. 4 (detail illustration); NY Arts Magazine, Volume 9, Number 7/8, New York, 2004, p.22 (illustrated); Arte, June/July, Milan, 2004, pp. 52-53 (illustrated); T. Whisnand, “Wang Qingsong: The Viewer and the Viewed”, Eyemazing, Issue 5, The Netherlands, 2004, pp. 36-37 (illustrated); E. Battiston, “Wang Qingsong”, PC Photo, 2004, Milan, pp.12-13 (illustrated); “Glorious Life: Wang Qingsong”, NextLevel, Edition 01, Volume 03, London, 2004, pp. 74-75 (illustrated); Match en Chine n°6, Paris, November-December, 2004, p. 18 (illustrated); Exit 21: Remakes, Madrid, 2005, pp. 22-23 (illustrated); “Chinese Photography 360 Degrees, Satirizing the Times”, Photo Pictorial, Issue 465, pp. 1-10 (illustrated); A. Kotzan, “Reich der Mittel”, Photo Technik International, Germany, 2005, pp. 42-43, (illustrated); C International Photo Magazine, Number 1; London, 2005, pp. 84-89 (illustrated); Pol Oxygen – Design Art Architecture, Issue 13, Sydney, 2005, pp. 80-81 (illustrated); Ballettanz Europe`s leading dance magazine, pp. 30-31 (illustrated); Photonet, photo + culture. Korea 2005 05, pp. 42-43 (illustrated); Digitalis Foto Magazin, Budapest, 2006, pp. 92-93 (illustrated); N. Garcia, “Wang Qingsong”, H Magazine, Number 76, 2006, 73 (illustrated); M. Field, “Naked capitalism westem-style consumerism is sweeping China”, The Sunday Review. The Independent on Sunday, September 2006, pp. 30-31 (illustrated); M. Field, “Naked capitalism westem-style consumerism is sweeping China”, Courier Japon Volume 027, 2007, pp. 71-72 (illustrated); “Portfolio: Qingsong”, Photograph Magazine, Greece 2007, pp. 42-43 (illustrated); Young Artists from Korea, China and Japan 2004, National Museum of Contemporary Art, Korea, pp.152-153 (illustrated); A. Albertini and P. Marella, eds., Out of the Red: La Nuova Generazione Emergente dei Fotografi Cinesi, Bologna, 2004, p. 180-181 (illustrated); S. Bright, Art Photography Now, London, p. 101 (illustrated); B. Pollack, “The Venus de China”, The New York Times, New York, 2004, 28 (illustrated)
Wang Qingsong Romantique 2003 c-print 56 x 308 cm. (22 x 121 1/4 in.) Signed, numbered and dated ‘2003 Wang Qingsong’ lower right. This work is from an edition of 25.
Provenance Albion Gallery, London Literature ArtForum, New York, May 2004, p. 4 (detail illustration); NY Arts Magazine, Volume 9, Number 7/8, New York, 2004, p.22 (illustrated); Arte, June/July, Milan, 2004, pp. 52-53 (illustrated); T. Whisnand, “Wang Qingsong: The Viewer and the Viewed”, Eyemazing, Issue 5, The Netherlands, 2004, pp. 36-37 (illustrated); E. Battiston, “Wang Qingsong”, PC Photo, 2004, Milan, pp.12-13 (illustrated); “Glorious Life: Wang Qingsong”, NextLevel, Edition 01, Volume 03, London, 2004, pp. 74-75 (illustrated); Match en Chine n°6, Paris, November-December, 2004, p. 18 (illustrated); Exit 21: Remakes, Madrid, 2005, pp. 22-23 (illustrated); “Chinese Photography 360 Degrees, Satirizing the Times”, Photo Pictorial, Issue 465, pp. 1-10 (illustrated); A. Kotzan, “Reich der Mittel”, Photo Technik International, Germany, 2005, pp. 42-43, (illustrated); C International Photo Magazine, Number 1; London, 2005, pp. 84-89 (illustrated); Pol Oxygen – Design Art Architecture, Issue 13, Sydney, 2005, pp. 80-81 (illustrated); Ballettanz Europe`s leading dance magazine, pp. 30-31 (illustrated); Photonet, photo + culture. Korea 2005 05, pp. 42-43 (illustrated); Digitalis Foto Magazin, Budapest, 2006, pp. 92-93 (illustrated); N. Garcia, “Wang Qingsong”, H Magazine, Number 76, 2006, 73 (illustrated); M. Field, “Naked capitalism westem-style consumerism is sweeping China”, The Sunday Review. The Independent on Sunday, September 2006, pp. 30-31 (illustrated); M. Field, “Naked capitalism westem-style consumerism is sweeping China”, Courier Japon Volume 027, 2007, pp. 71-72 (illustrated); “Portfolio: Qingsong”, Photograph Magazine, Greece 2007, pp. 42-43 (illustrated); Young Artists from Korea, China and Japan 2004, National Museum of Contemporary Art, Korea, pp.152-153 (illustrated); A. Albertini and P. Marella, eds., Out of the Red: La Nuova Generazione Emergente dei Fotografi Cinesi, Bologna, 2004, p. 180-181 (illustrated); S. Bright, Art Photography Now, London, p. 101 (illustrated); B. Pollack, “The Venus de China”, The New York Times, New York, 2004, 28 (illustrated)
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
