Yoland CazenoveJarre "Tamba", 1987 Grès porcelainé, monté au colombin. 37.5 cm, 32.4 cm Signature et date Yoland Cazenove et forme d'escargot 3. 3. 87. FootnotesYoland Cazenove 'Tamba' jar, 1987 Porcelain coated stoneware. 37.5 cm high, 32.4 cm diameter Incised Yoland Cazenove and dated 3. 3. 87. Provenance Galerie Epona, Paris Fina Gomez, acquired from the above, 1987 Thence by descent to the present owner Exposition / Exhibition 'Collection Fina Gomez, 30 ans de céramique contemporaine', Musée des Arts décoratifs, Paris, 12 March-23 June 1991 'Céramiques Contemporaines de la Collection Fina Gomez', Musée National Adrien Dubouché, Limoges, 19 October 1995-5 February 1996 Bibliographie / Literature Yvonne Brunhammer, et al., Collection Fina Gomez, 30 ans de céramique contemporaine, exh. cat., Musée des Arts décoratifs, Paris, 1991, illustrated p. 77, cat. no. 23 Né en 1914 dans le Lot-et-Garonne, Yoland Cazenove se révèle doué pour le dessin dès son plus jeune âge. En 1937, il suit les cours de l'École des Beaux-Arts de Toulouse, tout en exerçant le métier de cultivateur hérité de ses parents. C'est en 1947 que la céramique devient sa passion et seule activité. Autodidacte, son parcours est semé de tentatives mais sa rencontre en 1950 avec Francine Del Pierre, Diato et Duncan est décisive. Il va alors commencer à monter au colombin aplati ses pièces d'une grande finesse, aux parois presque en coquille d'œuf malgré l'aspect d'un grès brut, telle que la pièce que nous présentons. Il expose dès 1953 au Musée de Beaugency et à Lyon, participe aussi au concours de Faenza avant d'être montré au public à Paris. Ses recherches se concentrent ensuite sur les engobes, utilisant parfois l'encre de Chine. En effet, fort d'une large culture, ses inspirations sont multiples allant des lustres hispano-mauresques aux céramiques précolombiennes. Les céramiques d'Extrême-Orient le passionnent et il s'empare donc de la technique du raku pour laquelle il fabrique son propre four à tunnel. Sa production est considérable, Yoland Cazenove s'éteint en 2009 à l'âge de 95 ans. Born in 1914 in the Lot-et-Garonne, Yoland Cazenove showed a talent for drawing from an early age. In 1937, he attended the École des Beaux-Arts in Toulouse, while working as a farmer inherited from his parents. It was in 1947 that ceramics became his passion and only activity. Self-taught, his path is strewn with attempts but his meeting in 1950 with Francine Del Pierre, Diato, and Duncan is decisive. He then began to use the flat coil to make his very fine pieces, with walls almost like eggshells despite their raw stoneware appearance, such as the piece we are presenting here. He exhibited from 1953 at the Beaugency museum and in Lyon and took part in the Faenza competition before being presented to the public in Paris. His research then concentrated on engobes, sometimes using Indian ink. Indeed, with a wide culture, his inspirations are multiple, from Hispano-Moorish chandeliers to pre-Columbian ceramics. He was fascinated by Far Eastern ceramics and so he adopted the raku technique for which he built his own tunnel kiln. His production was considerable, and Yoland Cazenove died in 2009 at the age of 95.
Yoland CazenoveJarre "Tamba", 1987 Grès porcelainé, monté au colombin. 37.5 cm, 32.4 cm Signature et date Yoland Cazenove et forme d'escargot 3. 3. 87. FootnotesYoland Cazenove 'Tamba' jar, 1987 Porcelain coated stoneware. 37.5 cm high, 32.4 cm diameter Incised Yoland Cazenove and dated 3. 3. 87. Provenance Galerie Epona, Paris Fina Gomez, acquired from the above, 1987 Thence by descent to the present owner Exposition / Exhibition 'Collection Fina Gomez, 30 ans de céramique contemporaine', Musée des Arts décoratifs, Paris, 12 March-23 June 1991 'Céramiques Contemporaines de la Collection Fina Gomez', Musée National Adrien Dubouché, Limoges, 19 October 1995-5 February 1996 Bibliographie / Literature Yvonne Brunhammer, et al., Collection Fina Gomez, 30 ans de céramique contemporaine, exh. cat., Musée des Arts décoratifs, Paris, 1991, illustrated p. 77, cat. no. 23 Né en 1914 dans le Lot-et-Garonne, Yoland Cazenove se révèle doué pour le dessin dès son plus jeune âge. En 1937, il suit les cours de l'École des Beaux-Arts de Toulouse, tout en exerçant le métier de cultivateur hérité de ses parents. C'est en 1947 que la céramique devient sa passion et seule activité. Autodidacte, son parcours est semé de tentatives mais sa rencontre en 1950 avec Francine Del Pierre, Diato et Duncan est décisive. Il va alors commencer à monter au colombin aplati ses pièces d'une grande finesse, aux parois presque en coquille d'œuf malgré l'aspect d'un grès brut, telle que la pièce que nous présentons. Il expose dès 1953 au Musée de Beaugency et à Lyon, participe aussi au concours de Faenza avant d'être montré au public à Paris. Ses recherches se concentrent ensuite sur les engobes, utilisant parfois l'encre de Chine. En effet, fort d'une large culture, ses inspirations sont multiples allant des lustres hispano-mauresques aux céramiques précolombiennes. Les céramiques d'Extrême-Orient le passionnent et il s'empare donc de la technique du raku pour laquelle il fabrique son propre four à tunnel. Sa production est considérable, Yoland Cazenove s'éteint en 2009 à l'âge de 95 ans. Born in 1914 in the Lot-et-Garonne, Yoland Cazenove showed a talent for drawing from an early age. In 1937, he attended the École des Beaux-Arts in Toulouse, while working as a farmer inherited from his parents. It was in 1947 that ceramics became his passion and only activity. Self-taught, his path is strewn with attempts but his meeting in 1950 with Francine Del Pierre, Diato, and Duncan is decisive. He then began to use the flat coil to make his very fine pieces, with walls almost like eggshells despite their raw stoneware appearance, such as the piece we are presenting here. He exhibited from 1953 at the Beaugency museum and in Lyon and took part in the Faenza competition before being presented to the public in Paris. His research then concentrated on engobes, sometimes using Indian ink. Indeed, with a wide culture, his inspirations are multiple, from Hispano-Moorish chandeliers to pre-Columbian ceramics. He was fascinated by Far Eastern ceramics and so he adopted the raku technique for which he built his own tunnel kiln. His production was considerable, and Yoland Cazenove died in 2009 at the age of 95.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
