Beschreibung:

上款：「季槃」即陳善福，字季槃，陳鴻誥四子，生平闕如，其名零星散見各處，不足拼湊其行狀，故此冊別具意義。 季槃父鴻誥（1825-1884），字曼壽，號味梅、鴛水詩人。浙江秀水（今嘉興）人。同治辛未（1871）貢生。幼喜吟詠，諸體皆擅，古體詩尤樸茂，廿六歲即刊行《味梅華館詩初集》。能書畫，喜寫梅竹，頗具韻致。書嗜金石，隸篆八分皆有法度。光緒二年（1876）舉家遷滬，越四年，赴東瀛，寓京都，遊歷三載。因其盛名，當地「墨客詩人，咸來題訪」，且從學者眾。期間於大阪出版《日本同人詩選》四卷，乃第一部中國人編輯的日本漢詩集。另著有《味梅華館詩鈔》、《喜雨集》、《日本紀遊詩》。 題跋諸家皆為素與曼壽有唱和者，由跋文可知，季槃曾與曼壽同幕山城龍邱（今浙江龍遊），隨侍起居，習詩讀經，享天倫之樂。或因交情匪淺，各家所寫盡出所能，極見心思，尤以虛谷一開，最為別開生面，令人為之眼亮。畫以張熊署年最早，為乙亥（1875）三月，虛谷一開最晚，為丙子（1876）冬，題跋詩文多成於期間，而以楊南湖和蒲作英兩開殿後，分署戊寅（1878）嘉平及冬暮，時曼壽已挈眷遷滬，寓法租界，與任伯年鄰里相望，並同楊南湖、張子祥、葛其龍諸人時相過從，詩酒度日。季槃隨父居滬後，亦有詩名，鄒弢在《三借廬贅譚》「海外詩人」一則曾記己卯（1879）秦膚雨與齊玉谿、葛隱耕、姚芷芳及陳季槃諸名流詩酒招邀事。 題跋諸家少見知於畫壇，茲附簡介如下： 徐家禮（1853-1917後），字美若，號藹園。浙江海寧人。工書畫，長期為清末上海《點石齋畫報》繪製古畫摹本，一八八六年十月《申報》稱其「以浙西名士作滬瀆寓公，讀萬卷奇書，擅鄭虔三絕，尤工畫梅，冷豔疏香，深得孤山真趣」。喜製燈謎，常在徐園組織文人猜謎活動，有《藹園謎剩》、《謎剩剩》傳世。擅戲曲，著有抄本雜劇五種，題曰《蟄園五種曲》。 陳蟾（1832-1889），名殿英，一作段因，字桂州、桂舟，又字倦圃，號惕庵，晚號破環遺老。浙江溫嶺人。初師黃壺舟，習詩文、書法，再入崇文書院。後入詁經精舍，拜俞樾門下，習經史、訓詁、詩詞。與蒲華、吳昌碩友善，切磋書藝，唱和往來。同、光年間由例貢入太學，以舉人身分，享六品頂戴。晚年寓居寧波。 石綸藻，字翰臣、渠閣。浙江錢塘（杭州）人。咸豐八年（1858）舉人。曾任永嘉縣教諭，詩書俱佳。 金德鑑（1810-1887後），一作寶鑑，字保三，號前釋老人，又號雙琯閣主人。江蘇元和人，流寓上海。精研醫經，專攻喉科，懸壺滬北，乃上海名醫。好書畫，喜收藏。工山水，細膩熨帖，秀潤蒼鬱，深入古賢堂奧。所仿趙孟頫、王蒙、文徵明諸家之青綠，尤精妙入神。有著作《喉科枕秘》、《爛喉丹痧輯要》、《急救霍亂方》傳世。 葛其龍，字隱耕。上海人。諸生。善詩書，有《寄庵詩鈔》傳世。鄒弢《三借廬贅譚》謂其「為人熱心古道，有長者風，時申江甚風雅，而君為祭酒。」 楊兆鋆（1854-1908後），字誠之，號須圃。浙江吳興（今湖州）人。清末外交官。精通書法算術。同治十年（1871）由兩江總督曾國藩咨送京師同文館學習英文，畢業後任蘇松太道公署翻譯。光緒十年（1884）隨許景澄公使出洋。歸國後，繼任金陵同文館教習、江南儲材學堂督辦。光緒二十八年（1902）任欽差大臣出使比利時。著有《楊須圃出使奏議》、《須曼精盧算學》。 巢勳（1852-1917），字子餘，號松道人，又號松華館主。浙江嘉興人。師從張熊，工山水、花鳥，其疎林遠岫、古木寒鴉，有雲林遺意。巢勳曾臨摹《芥子園畫譜》前三集，並增加海上名家畫作，又編繪一集「人物」，光緒二十三年（1897）於上海有正書局影印出版，世稱「巢勳臨本」。有《光雪聽竹軒詞》傳世。 杜求煃，字晉卿，別號飯顆山樵，室名浣花吟館。浙江海寧人。諸生。書學六朝，得秀媚之致。著有《茶餘漫錄》、《浣花吟館詩鈔》等。杜氏寓龍遊期間，與陳曼壽、石翰臣唱和，有《山城倡和集》傳世。 Zhang Xiong (1803-1886), Xu gu (1823-1896), Wu Dacheng (1835-1902), Yang Borun (1837-1911), Wu Guxiang (1848-1903) et al. Studying with Father at the Mountain City Wall, 1875-1876 Album of twenty leaves total, eight leaves of painting and twelve leaves of calligraphy, as follows: Leaf 1: title leaf, signed Hongfang, followed by one seal reading Songnan ransou and one collector's seal Juanhu Shen Shanjun shi zhencang shuhua zhi yin Leaf 2: title and inscription by Xu Jiali, dated wuyin (1878), followed by one calligrapher's seal reading Xu, one collector's seal reading Hanlu xinshang Leaf 3: Yang Borun (1837-1911), ink on paper, calligraphy in running script dated wuyin (1878), signed Yang Borun with two artist's seals Nanhu and Borun siyin, and a collector's seal Xiaan zhengcang zhi zhang Leaf 4: Yang Borun, ink on paper, dated yihai(1875), and signed Yang Borun, with an artist's seal Nanhu, and one collector's seal Junhu Shen Shanjun shi zhengcang shuhua zhi yin Leaf 5: Chen Chan, ink on paper, calligraphy in clerical script, signed Chen Chan with an artist's seal reading Tang'an Leaf 6: Zhang Xiong (1803-1886), ink and color on paper, dated yihai (1875) signed Zixiang Zhang Xiong, with two artist's seals reading Zixiang and Yuanhu laoren, and one collector's seal Junhu Shen Shanjun shi zhengcang shuhua zhi yin Leaf 7: Shi Lunzao, ink on paper, calligraphy in regular script, signed Quge Shi Lunzao, with two artist's seals reading Quge and Lunzao yinxin Leaf 8: Wu Dacheng (1835-1902), ink and color on paper, inscribed by the artist and dated bingzi (1876) signed Wu Dacheng with an artist's seal reading Wu Dacheng and a collector's seal Xiaan zhencang zhi zhang Leaf 9: Pu Hua (1832-1911) ink on paper, calligraphy in running script and dated wuyin (1878), signed Pu Hua with an artist's seal zuoying and one collector's seal Xiaan zhengcang zhi zhang Leaf 10: Wu Guxiang (1848-1903) ink and color on paper, dated bingzi (1876) and signed Qiunong Wu Guxiang with an artist's seal and two collector's seals Leaf 11: Zhan Luqi, ink on paper, calligraphy in running script dated bingzi (1876) and signed Zhan Luqi with an artist's seal Leaf 12: Xugu (1823-1896) ink and color on paper, dated bingzi (1876) and signed Xugu, with two artist's seals and a collector's seal. Leaf 13: Ge Qilong, ink on paper, calligraphy in standard script, signed Ge Qilong with an artist's se