Bruckner, Anton AUTOGRAPH SKETCHLEAF FOR THE SYMPHONY NO.3 IN D MINOR containing sketches for Bruckner's 1888 revision of the last movement, written in short score in pencil, on eight two- or three-stave systems, with many revisions, alterations and deletions, the pitches changed or confirmed by the composer in many places with letter-names ("...e d gis h a gis g fis" etc.), and annotated by him in the margins ("cism[oll]; gilt"); together with a transcription of a violin part on the facing page, in another hand 2 pages in all, folio (35 x 27cm), 24-stave paper (B & H. Nr 14.A), on a bifolium with an attestation by Franz Christ on the first page ("Original Handschrift von Anton Bruckner, Aus dem Besitz des Herrn Viktor Christ welcher für Bruckner dessen Symphonie in's Reine übertrug und für den Druck vorbereitete"), ownership stamp of Viktor Christ, [Vienna, summer 1888], minor splitting at fold, dust-marking to margins
Bruckner, Anton AUTOGRAPH SKETCHLEAF FOR THE SYMPHONY NO.3 IN D MINOR containing sketches for Bruckner's 1888 revision of the last movement, written in short score in pencil, on eight two- or three-stave systems, with many revisions, alterations and deletions, the pitches changed or confirmed by the composer in many places with letter-names ("...e d gis h a gis g fis" etc.), and annotated by him in the margins ("cism[oll]; gilt"); together with a transcription of a violin part on the facing page, in another hand 2 pages in all, folio (35 x 27cm), 24-stave paper (B & H. Nr 14.A), on a bifolium with an attestation by Franz Christ on the first page ("Original Handschrift von Anton Bruckner, Aus dem Besitz des Herrn Viktor Christ welcher für Bruckner dessen Symphonie in's Reine übertrug und für den Druck vorbereitete"), ownership stamp of Viktor Christ, [Vienna, summer 1888], minor splitting at fold, dust-marking to margins
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