A Chinese famille rose plate, Daoguang (1821-1850), of circular form, painted with an elephant carrying a vase in a garden, with an official's hat above, six-character Daoguang mark in red, 22.6cm diameter, a water dropper, 19th century, of pear-shaped form with a slender neck on a circular foot, painted with cockerels, Buddhist lion handles in iron red, the base with six-character Qianlong mark against a blue enamelled ground, 9.5cm high, and a famille rose snuff bottle, late Qing dynasty, of compressed baluster form, painted in a roundel with Niulang seated on a buffalo and Zhinü walking on a bridge formed by magpies, going to meet each other at the Qixi Festival, surrounded by incised clouds, 7.5cm high (3) 清道光 粉彩太平有象图盘 《大清道光年制》矾红篆书款 清十九世纪 斗鸡图铺首耳胆瓶 《大清乾隆年制》篆书款 及 清晚期 粉彩牛郎织女图鼻烟壶 一组三件
A Chinese famille rose plate, Daoguang (1821-1850), of circular form, painted with an elephant carrying a vase in a garden, with an official's hat above, six-character Daoguang mark in red, 22.6cm diameter, a water dropper, 19th century, of pear-shaped form with a slender neck on a circular foot, painted with cockerels, Buddhist lion handles in iron red, the base with six-character Qianlong mark against a blue enamelled ground, 9.5cm high, and a famille rose snuff bottle, late Qing dynasty, of compressed baluster form, painted in a roundel with Niulang seated on a buffalo and Zhinü walking on a bridge formed by magpies, going to meet each other at the Qixi Festival, surrounded by incised clouds, 7.5cm high (3) 清道光 粉彩太平有象图盘 《大清道光年制》矾红篆书款 清十九世纪 斗鸡图铺首耳胆瓶 《大清乾隆年制》篆书款 及 清晚期 粉彩牛郎织女图鼻烟壶 一组三件
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