A LOUIS XVI CARVED GILTWOOD FAUTEUIL DE BUREAU OR ARMCHAIR ATTRIBUTED TO NICOLAS-LOUIS-MARIETTE, CIRCA 1775-80 Stamped indistinctly to the seat rail 'N.L. Mariette' and with an ink inscribed paper label, the caning rails with two indistinct pencil inscriptions 83cm high, 60cm wide, 54cm deep Provenance: Sotheby's, Paris, 29th April 2020, lot 44 (€7,500) Nicolas-Louis-Mariette (1730?-1789) worked for twenty years as a labourer in the open enclosure of Saint Antoine in Paris before being received as a master cabinetmaker in 1770. First based at the sign 'To the King of Naples' rue de la Roquette in Paris, Mariette then moved to rue de Charenton. Nicolas-Louis-Mariette was a relative of Claude-Louis Mariette, who was received master cabinetmaker in 1765.
A LOUIS XVI CARVED GILTWOOD FAUTEUIL DE BUREAU OR ARMCHAIR ATTRIBUTED TO NICOLAS-LOUIS-MARIETTE, CIRCA 1775-80 Stamped indistinctly to the seat rail 'N.L. Mariette' and with an ink inscribed paper label, the caning rails with two indistinct pencil inscriptions 83cm high, 60cm wide, 54cm deep Provenance: Sotheby's, Paris, 29th April 2020, lot 44 (€7,500) Nicolas-Louis-Mariette (1730?-1789) worked for twenty years as a labourer in the open enclosure of Saint Antoine in Paris before being received as a master cabinetmaker in 1770. First based at the sign 'To the King of Naples' rue de la Roquette in Paris, Mariette then moved to rue de Charenton. Nicolas-Louis-Mariette was a relative of Claude-Louis Mariette, who was received master cabinetmaker in 1765.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
