A PAIR OF MINTONS PATE-SUR-PATE OLIVE-GREEN AND CHOCOLATE-BROWN VASES
CIRCA 1878, IMPRESSED UPPERCASE MARKS, LISTED AS SHAPE NO. 1697, THE MODEL DESIGN ATTRIBUTED TO CHRISTOPHER DRESSER SIGNED WITH A MONOGRAM LB FOR LAWRENCE BIRKS
A PAIR OF MINTONS PATE-SUR-PATE OLIVE-GREEN AND CHOCOLATE-BROWN VASES Circa 1878, impressed uppercase marks, listed as shape no. 1697, the model design attributed to Christopher Dresser signed with a monogram LB for Lawrence Birks In the Aesthetic taste, each of cylindrical form with elephant mask and fixed ring handles, finely painted and hand-tooled in white and polychrome slip with birds, butterflies and a dragonfly in flight among iris and fern, the neck and foot gilt with a fret-pattern band interrupted with bosses, raised on a Chinoiserie style pierced stand 21¾ in. (55.2 cm.) high (2)
A PAIR OF MINTONS PATE-SUR-PATE OLIVE-GREEN AND CHOCOLATE-BROWN VASES
CIRCA 1878, IMPRESSED UPPERCASE MARKS, LISTED AS SHAPE NO. 1697, THE MODEL DESIGN ATTRIBUTED TO CHRISTOPHER DRESSER SIGNED WITH A MONOGRAM LB FOR LAWRENCE BIRKS
A PAIR OF MINTONS PATE-SUR-PATE OLIVE-GREEN AND CHOCOLATE-BROWN VASES Circa 1878, impressed uppercase marks, listed as shape no. 1697, the model design attributed to Christopher Dresser signed with a monogram LB for Lawrence Birks In the Aesthetic taste, each of cylindrical form with elephant mask and fixed ring handles, finely painted and hand-tooled in white and polychrome slip with birds, butterflies and a dragonfly in flight among iris and fern, the neck and foot gilt with a fret-pattern band interrupted with bosses, raised on a Chinoiserie style pierced stand 21¾ in. (55.2 cm.) high (2)
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