A SHINTO JUMONJI YARI, PROBABLY MUSASHI EDO PERIOD (SECOND QUARTER 17TH CENTURY), SIGNED MONJU KANEHISA SAKU Configuration ( sugata ): jumonji yari in Bishamon style. Forging pattern ( jihada ): not visible as the ji has been burnished with a steel pencil. Tempering pattern ( hamon ): in nie and nioi and with some 'swept sands' ( sunagashi ). Tang ( nakago ). Shape ( keitai ): elongated and of rectangular section; file marks ( yasurime ): vertical; holes ( mekugi-ana ): three; signature ( mei ): Monju Kanehisa saku . Gilded sabiagetakamaki-e saya .
A SHINTO JUMONJI YARI, PROBABLY MUSASHI EDO PERIOD (SECOND QUARTER 17TH CENTURY), SIGNED MONJU KANEHISA SAKU Configuration ( sugata ): jumonji yari in Bishamon style. Forging pattern ( jihada ): not visible as the ji has been burnished with a steel pencil. Tempering pattern ( hamon ): in nie and nioi and with some 'swept sands' ( sunagashi ). Tang ( nakago ). Shape ( keitai ): elongated and of rectangular section; file marks ( yasurime ): vertical; holes ( mekugi-ana ): three; signature ( mei ): Monju Kanehisa saku . Gilded sabiagetakamaki-e saya .
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
