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Auction archive: Lot number 120

Andy Warhol

Estimate
US$40,000 - US$60,000
Price realised:
US$62,500
Auction archive: Lot number 120

Andy Warhol

Estimate
US$40,000 - US$60,000
Price realised:
US$62,500
Beschreibung:

Andy Warhol Grevy's Zebra, from Endangered Species 1983 Screenprint in colors, on Lenox Museum Board, the full sheet, S. 38 x 38 in. (96.5 x 96.5 cm) signed and numbered `AP 23/30' in pencil (an artist's proof, the edition was 150), published by Ronald Feldman Fine Arts, New York (with their inkstamp), framed.
Literature Frayda Feldman and Jörg Schellmann 300 Catalogue Essay The largest of the living zebra species, Grévy’s zebra can be distinguished from the other zebras by its larger ears and narrower stripes. In recent history, the species has undergone one of the most substantial reductions of range of any African mammal. There has also been a 87 percent decline in numbers since the end of the 1970s. These declines were due in part to hunters killing the animals for their skins, which were made into fashionable clothing during the 1970s and 80s. While the species is no longer commercially hunted for its skin, numbers are continuing to decline due to competition with pastoral people and their domestic livestock, and to the long-term effects of overgrazing. Read More Artist Bio Andy Warhol American • 1928 - 1987 A seminal figure in the Pop Art movement of the early 1960s, Andy Warhol's paintings and screenprints are iconic beyond the scope of Art History, having become universal signifiers of an age. An early career in commercial illustration led to Warhol's appropriation of imagery from American popular culture and insistent concern with the superficial wonder of permanent commodification that yielded a synthesis of word and image, of art and the everyday. Warhol's obsession with creating slick, seemingly mass-produced artworks led him towards the commercial technique of screenprinting, which allowed him to produce large editions of his painted subjects. The clean, mechanical surface and perfect registration of the screenprinting process afforded Warhol a revolutionary absence of authorship that was crucial to the Pop Art manifesto. View More Works

Auction archive: Lot number 120
Auction:
Datum:
28 Oct 2014
Auction house:
Phillips
New York
Beschreibung:

Andy Warhol Grevy's Zebra, from Endangered Species 1983 Screenprint in colors, on Lenox Museum Board, the full sheet, S. 38 x 38 in. (96.5 x 96.5 cm) signed and numbered `AP 23/30' in pencil (an artist's proof, the edition was 150), published by Ronald Feldman Fine Arts, New York (with their inkstamp), framed.
Literature Frayda Feldman and Jörg Schellmann 300 Catalogue Essay The largest of the living zebra species, Grévy’s zebra can be distinguished from the other zebras by its larger ears and narrower stripes. In recent history, the species has undergone one of the most substantial reductions of range of any African mammal. There has also been a 87 percent decline in numbers since the end of the 1970s. These declines were due in part to hunters killing the animals for their skins, which were made into fashionable clothing during the 1970s and 80s. While the species is no longer commercially hunted for its skin, numbers are continuing to decline due to competition with pastoral people and their domestic livestock, and to the long-term effects of overgrazing. Read More Artist Bio Andy Warhol American • 1928 - 1987 A seminal figure in the Pop Art movement of the early 1960s, Andy Warhol's paintings and screenprints are iconic beyond the scope of Art History, having become universal signifiers of an age. An early career in commercial illustration led to Warhol's appropriation of imagery from American popular culture and insistent concern with the superficial wonder of permanent commodification that yielded a synthesis of word and image, of art and the everyday. Warhol's obsession with creating slick, seemingly mass-produced artworks led him towards the commercial technique of screenprinting, which allowed him to produce large editions of his painted subjects. The clean, mechanical surface and perfect registration of the screenprinting process afforded Warhol a revolutionary absence of authorship that was crucial to the Pop Art manifesto. View More Works

Auction archive: Lot number 120
Auction:
Datum:
28 Oct 2014
Auction house:
Phillips
New York
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