ANTOINE GARNIER (1611-1694) AFTER ROSSO FIORENTINO (1494-1540) The Revenge of Nauplios etching, circa 1625-46, watermark Flower in a Double Circle, a very good, strong impression of this very rare print, just starting to show touches of wear in places, trimmed inside the platemark, a short, very skilfully repaired tear at the lower edge, a pinhole at the upper right, a light vertical, flattened fold, some soft creases and minor staining, otherwise in good condition Plate & Sheet 277 x 426 mm. Provenance John Barnard (d. 1784), London, with his initials in ink verso (Lugt 1420); Christie's, London, 26 June 1985, lot 45 (After Rosso Fiorentino). With Artemis Fine Arts, London, acquired at the above sale. Acquired from the above, on 2 July 1985.
ANTOINE GARNIER (1611-1694) AFTER ROSSO FIORENTINO (1494-1540) The Revenge of Nauplios etching, circa 1625-46, watermark Flower in a Double Circle, a very good, strong impression of this very rare print, just starting to show touches of wear in places, trimmed inside the platemark, a short, very skilfully repaired tear at the lower edge, a pinhole at the upper right, a light vertical, flattened fold, some soft creases and minor staining, otherwise in good condition Plate & Sheet 277 x 426 mm. Provenance John Barnard (d. 1784), London, with his initials in ink verso (Lugt 1420); Christie's, London, 26 June 1985, lot 45 (After Rosso Fiorentino). With Artemis Fine Arts, London, acquired at the above sale. Acquired from the above, on 2 July 1985.
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