Audrey Hepburn A collection of sixty-four family photographs, circa 1939-1989, including portraits by various photographers including Baron, colour and black and white snap-shots of Hepburn with her family, various subjects include: black and white shots of Audrey playing with dolls and puppies, largest -- 2¼x3¼in. (5.7x8.3cm.) ; a black and white portrait of subject in school uniform, circa 1939 -- 4¾x3in. (12x7.6cm.) framed; three black and white portraits, 1945, two inscribed by subject in black ink on verso, one with the date December, 1945 the other, a portrait of her laughing, inscribed To Papa fro[m] [M]onkey puzzle!! , largest -- 5½x3½in. (14x8.9cm.) ; a black and white head and shoulders portrait, inscribed on verso in blue ink With love for Papa! Audrey Jan. 1949 -- 3½x2½in. (8.9x6.4cm.) ; two black and white publicity photographs, both inscribed by subject on reverse with production details Sauce Tartare, Dec.'49, Cambridge Theatre , both additionally signed and inscribed on obverse in blue ink, one Happy Xmas To Papa! with love Audrey , the other To Papa with love from Audrey , both -- 5½x3½in. (14x8.9cm.) ; a colour snap-shot of Audrey Hepburn in the ballroom scene of My Fair Lady -- 3¼x3¼in. (8.2x8.2cm.) , 1961 ; various snaps of Audrey's two sons Sean and Luca and others of subject with her father, her first husband Mel Ferrer and other members of her family; a Christmas card decorated with a colour photograph of Audrey's two sons, circa 1970, signed and inscribed inside by Hepburn; and a colour snap-shot of a Yorkshire Terrier, signed and inscribed by Audrey on verso -- 6x4in. (15.2x10.2cm.) ; two black and white head and shoulders portraits by Adolf Morath, one of Maud Gonne, the other of her son Sean Macbride, both signed by photographer in white ink and dated '48, both -- 8.1/8x6.1/8in. (20.6x15.6cm.) ; two colour shots of Hepburn working for UNICEF in the Sudan, both inscribed in her hand on reverse Refugees - the Sudan '89 , both -- 5x7in. (12.7x17.8cm.) ; and press cuttings in two albums and loose; also a portrait poster of Audrey Hepburn in a scene from Breakfast At Tiffany's (printed recently) -- 33¾x24in. (85.7x61cm.) (a lot)
Audrey Hepburn A collection of sixty-four family photographs, circa 1939-1989, including portraits by various photographers including Baron, colour and black and white snap-shots of Hepburn with her family, various subjects include: black and white shots of Audrey playing with dolls and puppies, largest -- 2¼x3¼in. (5.7x8.3cm.) ; a black and white portrait of subject in school uniform, circa 1939 -- 4¾x3in. (12x7.6cm.) framed; three black and white portraits, 1945, two inscribed by subject in black ink on verso, one with the date December, 1945 the other, a portrait of her laughing, inscribed To Papa fro[m] [M]onkey puzzle!! , largest -- 5½x3½in. (14x8.9cm.) ; a black and white head and shoulders portrait, inscribed on verso in blue ink With love for Papa! Audrey Jan. 1949 -- 3½x2½in. (8.9x6.4cm.) ; two black and white publicity photographs, both inscribed by subject on reverse with production details Sauce Tartare, Dec.'49, Cambridge Theatre , both additionally signed and inscribed on obverse in blue ink, one Happy Xmas To Papa! with love Audrey , the other To Papa with love from Audrey , both -- 5½x3½in. (14x8.9cm.) ; a colour snap-shot of Audrey Hepburn in the ballroom scene of My Fair Lady -- 3¼x3¼in. (8.2x8.2cm.) , 1961 ; various snaps of Audrey's two sons Sean and Luca and others of subject with her father, her first husband Mel Ferrer and other members of her family; a Christmas card decorated with a colour photograph of Audrey's two sons, circa 1970, signed and inscribed inside by Hepburn; and a colour snap-shot of a Yorkshire Terrier, signed and inscribed by Audrey on verso -- 6x4in. (15.2x10.2cm.) ; two black and white head and shoulders portraits by Adolf Morath, one of Maud Gonne, the other of her son Sean Macbride, both signed by photographer in white ink and dated '48, both -- 8.1/8x6.1/8in. (20.6x15.6cm.) ; two colour shots of Hepburn working for UNICEF in the Sudan, both inscribed in her hand on reverse Refugees - the Sudan '89 , both -- 5x7in. (12.7x17.8cm.) ; and press cuttings in two albums and loose; also a portrait poster of Audrey Hepburn in a scene from Breakfast At Tiffany's (printed recently) -- 33¾x24in. (85.7x61cm.) (a lot)
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
