Beschreibung:

Léopold Plomteux (1920-2008) Space Morning (1961) Signed and dated 61 lower right Oil on board, 38.5 x 58.5 cm Provenance: - Auction Palais des Beaux-Arts-Servarts, Brussels, 23 March 2001, lot 1414 - Private collection, Belgium * Condition report available upon request
Léopold Plomteux (1920-2008) Space Morning (1961) Signed and dated 61 lower right Oil on board, 38.5 x 58.5 cm Provenance: - Auction Palais des Beaux-Arts-Servarts, Brussels, 23 March 2001, lot 1414 - Private collection, Belgium * Condition report available upon request
Léopold Plomteux (1920-2008) Space Morning (1961) Signed and dated 61 lower right Oil on board, 38.5 x 58.5 cm Provenance: - Auction Palais des Beaux-Arts-Servarts, Brussels, 23 March 2001, lot 1414 - Private collection, Belgium * Condition report available upon request
Hetty Heyster (1943) Twee Welpen (Two Cubs) (2000) Signed with monogram and dated 2000 on the base Bronze, H. 12 cm Literature: P. Verbraeken & H. Heyster, Hetty Heyster - Sculpturen II, Uitgeverij Waanders, Zwolle, 2013, p. 188, cat.no. 263 (ill.) Note: Including a certificate by the artist and the abovementioned book. * Condition report available upon request
Léopold Plomteux (1920-2008) Space Morning (1961) Signed and dated 61 lower right Oil on board, 38.5 x 58.5 cm Provenance: - Auction Palais des Beaux-Arts-Servarts, Brussels, 23 March 2001, lot 1414 - Private collection, Belgium * Condition report available upon request
Hetty Heyster (1943) Jonge Sneeuwuil (Young Snowy Owl) (2004) Signed twice with monogram, titled and dated 2004 underneath Bronze, 22.9 cm Literature: P. Verbraeken & H. Heyster, Hetty Heyster - Sculpturen II, Uitgeverij Waanders, Zwolle, 2013, p. 188, cat.no. 283 (ill.) Note: Including a certificate by the artist and the abovementioned book. * Condition report available upon request
Georges R. Ricard-Cordingley (1873-1939) Fishing Boats setting out at Sunset (c. 1929) Signed lower left Annotated Etude and à Madame Lanson, avec mes les respectueux hommages, de G. Ricard-Cordingley, La Haye le 16 Avril 1929 on the backing of the work Oil on canvas, 26.2 x 33.2 cm Provenance: - Collection Mrs Lanson / Galerie Lanson, The Hague (1929) - Auction Christie's, Amsterdam, 8 July 1998, lot 147 - Private collection, the Netherlands Note: The French painter and traveller Ricard-Cordingley received his initial artistic training from notable figures such as J.C. Cazin and Dutch Impressionist J.B. Jongkind. In 1929 he also visited the Netherlands, where he met Mrs Lanson of Gallery Lanson in The Hague, whom he gifted this painting. "Georges Ricard-Cordingley is the only maritime artist to have begun life in Lyon. His taste for the esoteric, his writings about art, and his treatment of mist in seascapes - nuanced tones, subtle harmonies - make him a clear product of the Lyonnais school of painting. Here was a man remarkable for his discretion, finesse, and restraint in conveying feelings and emotions. Ricard-Cordingley was said to be a painter of colourful greys: hues echoed not only in the styles of the Lyonnais and London schools, but in the two cities themselves, which granted the artist his first taste of success. He would also find a niche in Boulogne-sur-Mer and Cannes. In Cordingley’s mind, the morning fog on the North Sea was linked to the evening fog on the Côte d’Azur, and his work basks in the uncertain, infinite nature that this artistic “bilingualism” so effortlessly translates into universal emotion. Different - but above all, diverse - Cordingley’s oils, watercolours and charcoals are marked by a unique artistic vision that unites them all." - Pierre Miquel (1921-2002) - art historian and Cordingley expert. * Condition report available upon request
Mari Andriessen (1897-1979) a) Mozart with Violin Signed with monogram on the base Bronze, H. 20.6 cm b) Mozart Conducting Signed with monogram on the reverse Bronze, H. 21 cm Note: Including a bronze medal by the artist, depicting Mozart, Diam. 10.9 cm. (