David Hockney (b.1937) Celia Looks (Tokyo 247) The scarce lithograph, 1980, signed, dated, inscribed 'A.P.' and numbered in numerals from the edition of XIV in pencil, an artist's proof aside from the edition of 54, on tan HMP koller paper, printed and published by Gemini G.E.L., Los Angeles, with full margins, sheet 267 x 273mm (10 5/8 x 10 ¾in) (unframed) Celia Birtwell first met David Hockney in Los Angeles in 1964, she has since then been a muse for the painter appearing in hundreds of images by the artist. The tender non sexualised depictions of her often feature her dressed in clothes designed by her former husband Ossie Clark made of fabrics with patterns designed by her. Hockney said of her "she's a very feminine woman, not a masculine woman, and a very sweet-natured, gentle person"
David Hockney (b.1937) Celia Looks (Tokyo 247) The scarce lithograph, 1980, signed, dated, inscribed 'A.P.' and numbered in numerals from the edition of XIV in pencil, an artist's proof aside from the edition of 54, on tan HMP koller paper, printed and published by Gemini G.E.L., Los Angeles, with full margins, sheet 267 x 273mm (10 5/8 x 10 ¾in) (unframed) Celia Birtwell first met David Hockney in Los Angeles in 1964, she has since then been a muse for the painter appearing in hundreds of images by the artist. The tender non sexualised depictions of her often feature her dressed in clothes designed by her former husband Ossie Clark made of fabrics with patterns designed by her. Hockney said of her "she's a very feminine woman, not a masculine woman, and a very sweet-natured, gentle person"
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