Fishing. Messrs. Fores (publishers), Two Fishing Scenes: A Strong Stream and a Lively Fish [and] With the May Fly, March 1st 1886, two hand-coloured lithographs after R. M. Alexander, slight marginal spotting to the second image, each approximately 370 x 470 mm, uniformly framed and glazed, together with Giles (J.). To the Lovers of Angling, This Print of a Veteran of the Angle is with Respect, Dedicated by one of their Brethren, Isaac Walton, Thos. Mclean, September 1st. 1845, tint stone lithograph after James Inskipp, very slight staining, 365 x 455 mm, framed and glazed in a contemporary birds-eye moulding, with Tabertier (J.). Falls of the Cummel, A Fishing Scene in the Highlands, E. Gambert June 1st. 1852, tint stone lithograph after J. D. Harding, proof before title, 410 x 530 mm, framed and glazed in a near-contemporary stained oak moulding, plus Whymper (Charles). Six etchings of Fishing scenes, Leggatt Bros. 1891, six uncoloured etchings by Frank Paton on India wove, signed below the image by the artist and the etcher, slight spotting to the margins, each approximately 225 x 290 mm, uniformly framed in near-contemporary stained oak mouldings, with Clark (J.). Fishing in a Punt [and] Pike Fishing, Thomas McLean 1820 [ but later 19th-century impressions], two lithographs after H. Alken with contemporary hand-colouring, slight staining and spotting, each approximately 220 x 300 mm, framed with verre eglomisé glass, plus another six fishing related engravings and lithographs by or after Thomas McLean, R. Seymour and Newton Fielding, one duplicate, various sizes and condition, all framed and glazed (Quantity: 18)
Fishing. Messrs. Fores (publishers), Two Fishing Scenes: A Strong Stream and a Lively Fish [and] With the May Fly, March 1st 1886, two hand-coloured lithographs after R. M. Alexander, slight marginal spotting to the second image, each approximately 370 x 470 mm, uniformly framed and glazed, together with Giles (J.). To the Lovers of Angling, This Print of a Veteran of the Angle is with Respect, Dedicated by one of their Brethren, Isaac Walton, Thos. Mclean, September 1st. 1845, tint stone lithograph after James Inskipp, very slight staining, 365 x 455 mm, framed and glazed in a contemporary birds-eye moulding, with Tabertier (J.). Falls of the Cummel, A Fishing Scene in the Highlands, E. Gambert June 1st. 1852, tint stone lithograph after J. D. Harding, proof before title, 410 x 530 mm, framed and glazed in a near-contemporary stained oak moulding, plus Whymper (Charles). Six etchings of Fishing scenes, Leggatt Bros. 1891, six uncoloured etchings by Frank Paton on India wove, signed below the image by the artist and the etcher, slight spotting to the margins, each approximately 225 x 290 mm, uniformly framed in near-contemporary stained oak mouldings, with Clark (J.). Fishing in a Punt [and] Pike Fishing, Thomas McLean 1820 [ but later 19th-century impressions], two lithographs after H. Alken with contemporary hand-colouring, slight staining and spotting, each approximately 220 x 300 mm, framed with verre eglomisé glass, plus another six fishing related engravings and lithographs by or after Thomas McLean, R. Seymour and Newton Fielding, one duplicate, various sizes and condition, all framed and glazed (Quantity: 18)
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