comprising part of the first movement, ALMOST CERTAINLY THE ORIGINAL VERSION ("TODTENFEIER"), notated in pencil and black ink, in short score, with many reworkings, alterations and deletions, containing material from the E-flat minor section of the development, an early version of material eventually used between bars 262 and 303, the climax of the passage before the recapitulation, comprising 34 bars, with many melodic and contrapuntal differences from the final version, 1 page, with three bars on a second page, folio (c.31.5 x 25cm), [1888], 24-stave paper, overall browning, a few minor tears and chipping to margins
comprising part of the first movement, ALMOST CERTAINLY THE ORIGINAL VERSION ("TODTENFEIER"), notated in pencil and black ink, in short score, with many reworkings, alterations and deletions, containing material from the E-flat minor section of the development, an early version of material eventually used between bars 262 and 303, the climax of the passage before the recapitulation, comprising 34 bars, with many melodic and contrapuntal differences from the final version, 1 page, with three bars on a second page, folio (c.31.5 x 25cm), [1888], 24-stave paper, overall browning, a few minor tears and chipping to margins
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
