Eight oban and one chuban; the first signed/sealed Shiro and entitled Asakusa Kannon-do dai chochin, 1934; six signed Koitsu, consisting of Yotsuya Araki Yokocho [T-D-18] (1935), with Doi publisher, carver and printer cartouches, Shoji-ko (Lake Shoji) [TK-DH-14] (1934.4), Haru no yuki Kyoto Maruyama (Spring Snow At Maruyama Park) [TK-DH-30] (1936.3), Nagoya-jo (Nagoya Castle) [TK-DH-42] (1937.3), Nikko Shunkyo (Sacred Bridge) (1937), and Ame no Miyajima (Miyajima in the Rain) (1941); two signed Toshi Yoshida in pencil, Shirasagi Castle (1942) and Silver Pavilion - Kyoto (1951); and one signed Yuhan, entitled Moon at Miyagawa - generally very good impressions and color, some toning to first print, traces of adhesive or hinges to the reverse back corners, very good-good condition 15 3/8 x 10 3/8in (39 x 26.8cm) dimensions of first
Eight oban and one chuban; the first signed/sealed Shiro and entitled Asakusa Kannon-do dai chochin, 1934; six signed Koitsu, consisting of Yotsuya Araki Yokocho [T-D-18] (1935), with Doi publisher, carver and printer cartouches, Shoji-ko (Lake Shoji) [TK-DH-14] (1934.4), Haru no yuki Kyoto Maruyama (Spring Snow At Maruyama Park) [TK-DH-30] (1936.3), Nagoya-jo (Nagoya Castle) [TK-DH-42] (1937.3), Nikko Shunkyo (Sacred Bridge) (1937), and Ame no Miyajima (Miyajima in the Rain) (1941); two signed Toshi Yoshida in pencil, Shirasagi Castle (1942) and Silver Pavilion - Kyoto (1951); and one signed Yuhan, entitled Moon at Miyagawa - generally very good impressions and color, some toning to first print, traces of adhesive or hinges to the reverse back corners, very good-good condition 15 3/8 x 10 3/8in (39 x 26.8cm) dimensions of first
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