MADEMOISELLE MARCELLE LENDER, EN BUSTE. 1895. 21x15 inches. Condition B+: restored losses in top margin; repaired tear with overpainting in bottom margin; archival tape on verso; faded. Paper. Marcelle Lender (1862-1926) starred in many of the operettas and comic operas popular at the end of the 19th century. One of her shows, Chilperic was justifiably unmemorable except that it inspired Lautrec to design six lithographs (Adriani 110-115). This is by far the best image from that series and the only one that is in color. Lautrec depicts her bowing after an extravagant Spanish dance with which he was particularly fascinated. To render her wild attire and hairdo he uses eight colors with chalk, ink with brush and a spraying/splatter technique. As Adriani notes, "no other lithograph is printed with such wealth of subtle color combinations and none embodies, as this does, the opulent decoration of an age moving towards its close." This is one of 100 copies printed by Ancourt with Lautrec's orange-red monogram stamp, and hand-numbered by the artist. An edition of 1211 impressions followed for the Berlin magazine Pan, 1100 of these printings were inserted in volume I, no. 3 of the periodical.
MADEMOISELLE MARCELLE LENDER, EN BUSTE. 1895. 21x15 inches. Condition B+: restored losses in top margin; repaired tear with overpainting in bottom margin; archival tape on verso; faded. Paper. Marcelle Lender (1862-1926) starred in many of the operettas and comic operas popular at the end of the 19th century. One of her shows, Chilperic was justifiably unmemorable except that it inspired Lautrec to design six lithographs (Adriani 110-115). This is by far the best image from that series and the only one that is in color. Lautrec depicts her bowing after an extravagant Spanish dance with which he was particularly fascinated. To render her wild attire and hairdo he uses eight colors with chalk, ink with brush and a spraying/splatter technique. As Adriani notes, "no other lithograph is printed with such wealth of subtle color combinations and none embodies, as this does, the opulent decoration of an age moving towards its close." This is one of 100 copies printed by Ancourt with Lautrec's orange-red monogram stamp, and hand-numbered by the artist. An edition of 1211 impressions followed for the Berlin magazine Pan, 1100 of these printings were inserted in volume I, no. 3 of the periodical.
.jpg "Source: Christie's")
.jpg "Source: Christie's")
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
