MAESTRO DI SAN VINCENZO MARTIRE (BERNARDINO BONSIGNORI?, Verona, ca. 1474 – Mantova, 1529), ATTRIBUTED TO The Entombent of Christ Oil on canvas, cm. 101,5x117,7. Framed We are grateful to Dr. Stefano L'Occaso who suggested us to recognize this painting as a work by the so-called Maestro di San Vincenzo Martire. This beautiful painting is placed on the line of the representations of the Lamentation over the dead Christ, or of the Depositions in the sepulcher executed between Umbria and Tuscany from the end of the fifteenth to the first quarter of the sixteenth century and widespread also in Lombard and Emilian painting. Here is evident a mix of influences that includes Pinturicchio, Sodoma, Francia and above all Pietro Perugino, declined however in a less stately register that refers to the hand of an updated petit maitre active in Padan area.
MAESTRO DI SAN VINCENZO MARTIRE (BERNARDINO BONSIGNORI?, Verona, ca. 1474 – Mantova, 1529), ATTRIBUTED TO The Entombent of Christ Oil on canvas, cm. 101,5x117,7. Framed We are grateful to Dr. Stefano L'Occaso who suggested us to recognize this painting as a work by the so-called Maestro di San Vincenzo Martire. This beautiful painting is placed on the line of the representations of the Lamentation over the dead Christ, or of the Depositions in the sepulcher executed between Umbria and Tuscany from the end of the fifteenth to the first quarter of the sixteenth century and widespread also in Lombard and Emilian painting. Here is evident a mix of influences that includes Pinturicchio, Sodoma, Francia and above all Pietro Perugino, declined however in a less stately register that refers to the hand of an updated petit maitre active in Padan area.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
