PARMIGIANINO (1503-1540) AND UGO DA CARPI (ACTIVE 1502-1532) OR ANTONIO DA TRENTO ( CIRCA 1510-1550) AFTER RAPHAEL (1483-1520) Saints Peter and John healing the Lame Man at the Beautiful Gate etching with chiaroscuro woodcut printed from two blocks in two shades of mushroom, circa 1527-30, on laid paper, with an indistinct Circle watermark (possibly Siren), an impression of Jenkins' third state (of five), with the initials I.V.R added at lower left, the etched lines showing wear, but before the later rework, trimmed to or just outside the platemark, with narrow to thread margins in places, with the usual vertical central fold split and backed at the upper and lower sheet edges, a flattened vertical printer's crease at lower right, otherwise in good condition Sheet 275 x 411 mm. Provenance Edmund Prideaux (d. 1745), England (Lugt 893). Richard Ford (1796-1858), London & Heavitree, Devon (Lugt 937).
PARMIGIANINO (1503-1540) AND UGO DA CARPI (ACTIVE 1502-1532) OR ANTONIO DA TRENTO ( CIRCA 1510-1550) AFTER RAPHAEL (1483-1520) Saints Peter and John healing the Lame Man at the Beautiful Gate etching with chiaroscuro woodcut printed from two blocks in two shades of mushroom, circa 1527-30, on laid paper, with an indistinct Circle watermark (possibly Siren), an impression of Jenkins' third state (of five), with the initials I.V.R added at lower left, the etched lines showing wear, but before the later rework, trimmed to or just outside the platemark, with narrow to thread margins in places, with the usual vertical central fold split and backed at the upper and lower sheet edges, a flattened vertical printer's crease at lower right, otherwise in good condition Sheet 275 x 411 mm. Provenance Edmund Prideaux (d. 1745), England (Lugt 893). Richard Ford (1796-1858), London & Heavitree, Devon (Lugt 937).
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